Ajit Chatterjee

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

Jogin, a poor school teacher, had brought up an orphan Tomato as his nephew. But now suffering from the deadly tubercolosis, he decided to gamble with luck to see if a better home could be found for Tomato.

Aparna, the only daughter and the apple of her mother's eye is engaged at a young age to her childhood friend, Ajay. After her mother’s death, her father remarries, and her stepmother begins to mistreat her. Desperate, Aparna flees with the help of Baren, a local goon with a good heart. She stays with Baren for safety and becomes involved in his group, though she urges him to turn his life around. Baren vows to protect her. One day, Aparna meets a stranger who turns out to be Ajay, and they are reunited. Baren is eventually arrested for his crimes but ensures Aparna's safety.

Purbarag follows the journey of Indranath, a young man deeply influenced by his early childhood experiences. Orphaned at a young age, Indranath finds solace and guidance from his teacher, Jatileswar Chatterjee, and his family. After completing his education, Indranath returns to his hometown and encounters both familiar faces and new challenges. The film explores themes of loss, love, friendship, and the search for meaning in life. Indranath's experiences reflect the societal changes and cultural shifts of the time. Through his interactions with various characters, he grapples with the complexities of human nature and the importance of personal values.

Difficulties erupt between a couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.

Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.

Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.

Kundan, a nomad, is offered a music deal when his songs are noticed by a pair of music directors. His lover, Rupa, convinces him to accept it but misunderstandings cause a rift in their relationship.

Uttam Kumar is in a mental asylum where he has forgotten slices of his life and behaves in a way that makes people feel he is mad. The doctor, however, disagrees and treats him with gentle kindness.

Hiru Ganguly is unable to marry Kumudini, his lover, after her father rejects his marriage proposal. Years later, although married to another woman, he once again desires to win her back. As old feelings are rekindled, will they take any steps to go against the social customs?

Ajay is a musician by hobby and also runs a business. His younger brother Arun wants to become a doctor. After his mother’s death, Ajay becomes the head of the family however, he falls into debt. He decides to take singing lessons to earn money. Bandana is a good singer and she starts taking classes from Ajay. Ajay starts liking Bandana because she is a charming lady and sings well. Arun and Bandana meet and they fall in love. Ajay is forced to sell his inherited property to pay Arun’s fees. His poverty is only short-lived as his popularity spreads and he becomes wealthy. In the meantime, Arun comes to know that Ajay has sold their family property but does not know the reason behind the act. This creates a misunderstanding between the two brothers. However, it is soon cleared and Ajay transfers his wealth to his brother. Arun and Bandana got married.

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

A nurse at a psychiatric ward gets a bit too involved in the well-being of a patient.

Shankar and Buddhu are identical twins. Shankar, unbeknownst to Buddhu, has found love with a painter; Buddhu meanwhile falls in love with the painter’s sister, who works at his office. As neither sister knows her lover has a twin, and Buddhu is unaware of Shankar’s romance, confusion ensues.

Pratima is a 1977 Indian Bengali family drama film directed by Palash Bandyopadhyay.

A middle-class family living a decent life suddenly comes across an unexpected luxury that costs them an unwanted change in their life.

Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.

In order to treat his visually impaired son, mill owner Jethia forges some documents to acquire the eyes donated by Jadunath, one of his workers who was wrongfully framed for a couple of murders and sentenced to death.

Being an unwed mother, Kamal Lata had no option but to abort the child and move on with life. The man who left her comes back into her life, but she decides to stay in Vrindavan.

A 1935 Bengali Film directed by Jyotish Bandyopadhyay.

Sansar is a social drama that shows the story of a happy family. Though Shanti is the second daughter-in-law of the house, she is given the responsibility of the house. She helps her husband with money by selling her jewelry to make a machine. Subhas, Shanti’s brother-in-law helps her in this matter. One day in shortage Shanti with the help of Subhash kept her sister-in-law’s gold necklace in stake without informing her. Conspiring Subhas, Satyen, and Subodh were sent to jail by Ajit. Due to the shortage of money, Satyen had to sell the machine to evil Ajit. But in prime time, Ajit’s uncle came to know the matter and rescued Shanti’s family from danger. The film ends on a happy note where all the dangers are removed from the family and they live peacefully, clearing up all the misunderstandings against each other.

Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.

When the messengers of 'Yamraj'- God of Death - mistakenly bring an alive, honest person to hell, he starts a revolution to fix outdated rules of heaven and hell.