Fabrizio Corallo

The Pope is disturbed by the fact that today's youth are not as spiritually inclined as they should be, and so he decides to set up a Vatican television station and entice them back into the religion of their ancestors. In order to particularly grab the wandering flock, a priest invites the comedians from "The Other Sunday," an actual comedy program on Italian television, to perform on this new channel.

SABATO (first episode): A company receives the visit of a very very important person. This person works for a biggest Japanese society, and this encounter is decisive for the small Italian company. DOMENICA (second episode): After a hard day of job, a man returns in it's house for sleep. But a series of facts hinder this, and the poor man does not succeed to sleep. VENERDI (third episode): A famous and rich creator of sexy ballets have various problems with a dancer. She want to leave the theater and marry a Mafia man.

Two convicts escape from prison and evade the law by taking hostage the middle-class family of a doctor. One of the jailbirds calls the local television station, requesting that they broadcast his demand for a plane so they can escape the country. The television director and his crew show up to film the hostage crisis, and then things get progressively more bizarre and satirical. Not content with the living drama, he directs everyone's actions to make the event more newsworthy.

An untold tale of the legendary artistic career and the talents of a performer and author capable of narrating the human comedy of 20th-century Italians like no other.

This 2006 documentary was filmed on the occasion of director Dino Risi's ninetieth birthday. It features interviews with his collaborators, friends, and family, as well as Risi himself, who talks candidly about his personal successes and the obstacles he has faced.

This brisk, engaging documentary surveys the life, work, and legacy of Vittorio Gassman, the Italian screen icon who began his illustrious career as a serious dramatic stage actor before going on to subvert that image in classic works of commedia all’italiana by Mario Monicelli (Big Deal on Madonna Street), Dino Risi (Il Sorpasso), and Ettore Scola (We All Loved Each Other So Much). Through a wealth of interviews, film clips, and archival footage, Sono Gassman! reveals how Gassman’s comedic screen persona cannily reflected and critiqued mid-20th-century Italian society, while shedding light on the complex inner life of the man himself.

A father and his four sons during the 18th century have their lives thrown into turmoil with the arrival of a woman at their villa. She quickly takes on multiple roles of sister, mother, confidant and lover to all, plunging the men into confusion and leading to an almost mythic ending.