Felicia Cernăianu

The industrial site, the dam under construction and the colony of workers’ housing attached to them are among the favourite spaces of the Sahia documentary, especially during the last decade of the communist regime. The work on the country’s numerous industrial sites is a constant theme included in the annual Thematic Plans of the studio, therefore repeatedly fixed on film and repeatedly missed, or at least simplified by the documentaries of the time, always completed under the pressure of the political imperative.

In a shabby apartment somewhere in Romania, a man obsessively zap between his TV channels despite the wife's complaints and nagging. But where his wife fails, a little man inside the TV will appear and tell Sotul a thing or two about the true mechanics of television zapping...

A nonconformist engineer challenges some stereotypical negative communist characters.

A documentary which follows the most important events of Constantin Brâncuși, a Romanian artist.

The young female protagonist walks all over Bucharest, often times while dancing, followed only by her shadow and traumatic memories of the War.