Tominosuke Hayama

A whirlwind sweeps through Takadanobaba. The familiar fighter Yasubei stuns the city of Edo in this exhilarating tale of swordsmanship and human compassion.

The first film produced by Daiei.

The sword of the chivalrous warrior is drawn amid the struggle for a legendary sword and a plot to assassinate a young princess.

Film adaption by Kenji Misumi

Who is Shinzo, the man who captivates both men and women…? Official lanterns flutter chaotically through the Great Edo of love and intrigue… A thrilling period crime drama featuring the Demon Magistrate.

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.

A young swordsman takes on the mysterious, deadly “Demon Sword” wielded by a nihilistic master swordsman who trusts neither human compassion nor a woman’s heart… What is the fate of the undefeated Demon Sword?

A mysterious Komusō monk suddenly appears to stand up to the yakuza who are tormenting innocent townspeople.

Prewar jidaigeki starring Denjiro Okochi

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

Tragicomic road movie set during the Edo period. It follows a samurai, his two servants – including spear-carrier Genpachi – and the various people they meet on their journey, including a policeman in pursuit of a thief, a young child and a woman who is to be sold into prostitution.

Five years after parting ways, two people who had once envisioned a life together met again: he was a yakuza out of work, and she was a woman of the night.

Driven by a murderous intent, he pursues the palanquin carrying the renowned onnagata Kikunosuke, who has taken the place of the princess destined to marry the lord of the Okazaki domain.

In Kyoto, a samurai named Boredom Otoko, Saotome Mondonosuke , appears and helps a woman being chased by a spy named Genshichi. Unfortunately, the woman is shot and killed. Later, Genshichi explains that the woman was a member of a band of thieves, and because she was let go once, the police officer, Genjuro Mazaki, was demoted to a desk job. Consumed by guilt, Boredom Otoko...

Set against the backdrop of the Great Fire of Edo, this story depicts the conflict between the town fire brigades and the daimyo’s fire brigades.

A bold and cheerful tale that broke new ground in the historical drama genre.

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.