Motoharu Isokawa

The Japanese equivalent of penny dreadfuls glorifying Jesse James, A Diary of Chuji’s Travels gives a unique gloss to the tale of Chuji Kunisada, the legendary bakuto (or gambler, the precursors to modern-day yakuza). One of the two remaining segments of Ito’s original four-hour trilogy, it depicts Chuji’s attempt to save the geisha Oshina, a rebellion against the rigid social structure of Edo Japan. With socialist overtones, it’s a passionate artifact of early Japanese film.

A traveling gambler becomes duty-bound to the wife and child of the yakuza he had slain and desires to leave the criminal life for good. However, with no other skills but his sword, he is forced to hire himself out in the midst of a gang war.