Gerald Scarfe

Writing

Gerald Scarfe

Born June 1, 1936 · London, UK (age 90)

Gerald Anthony Scarfe, CBE, RDI (born 1 June 1936) is an English cartoonist and illustrator. He has worked as editorial cartoonist for The Sunday Times and illustrator for The New Yorker. His other work includes graphics for rock group Pink Floyd, particularly on their 1979 album The Wall, its 1982 film adaption, and tour (1980-81), as well as the music video for "Welcome to the Machine".[1][2] S…

Known For

HerculesHercules · 1997
Hercules
7.51997
MovieAnimationFamily
Bestowed with superhuman strength, a young mortal named Hercules sets out to prove himself a hero in the eyes of his father, the great god Zeus. Along with his friends Pegasus, a flying horse, and Phil, a personal trainer, Hercules is tricked by the hilarious, hotheaded villain Hades, who's plotting to take over Mount Olympus!
Pink Floyd: The WallPink Floyd: The Wall · 1982
Pink Floyd: The Wall
7.91982
MovieMusicDrama
A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
Digital DreamsDigital Dreams · 1983
Digital Dreams
7.01983
MovieMusicFantasy
An amalgam of documentary and cinema verité, this movie outlines the life, loves and music of Rolling Stones bass guitarist Bill Wyman. After leaving the Stones in 1981, Wyman tried to establish his own separate musical identity, conveyed here through a stream of hallucinatory images and animated sequences.
Scarfe's FolliesScarfe's Follies · 1988
Scarfe's Follies
1988
Movie
Cartoonist Gerald Scarfe looks at that most English of things - the folly.
Max Miller: I Like The Girls Who DoMax Miller: I Like The Girls Who Do · 1989
Max Miller: I Like The Girls Who Do
1989
MovieDocumentary
A celebration of Max Miller , comedian and star. Presented by Gerald Scarfe with Max Bygraves Charlie Chester , Doris Hare Jean Kent , Alec McCowen, Tommy Trinder , Max Wall, Bernie Winters and Max Miller 'I'm ready for bed - anybody?' Max Miller , dazzling in chintz and gaudy plus-fours, one foot on the footlights, leering and howling with delight, confronted his audience. Sexual innuendo was his game. He trod a dangerous line, just this side of respectability, across the Music Halls of the 30s and 40s. On the stage of the Hackney Empire, with chorus girls and full supporting acts, Gerald Scarfe re-creates Max Miller 's rise from the back streets of Brighton to the top of the bill. The most outrageous comedian of his day, Max was banned by the BBC, in trouble over the Royal Command Performance, admired and hated by the comics of his age - and ours
Mozart: Die Zauberflote (SF Opera)Mozart: Die Zauberflote (SF Opera) · 2007
Mozart: Die Zauberflote (SF Opera)
2007
Movie
Opera in two acts by Wolfgang Amadeus Mozart, Libretto by Emanuel Schikaneder.
Welcome to the MachineWelcome to the Machine · 1977
Welcome to the Machine
10.01977
MovieAnimation
Gerald Scarfe's animated interpretation of Pink Floyd's "Welcome to the Machine". Produced in 1977 and projected behind the band on their "In The Flesh" tour, later released as a promotional video.
40 Minutes40 Minutes · 1981
40 Minutes
6.41981
SeriesDocumentary
40 Minutes was a BBC TV documentary strand broadcast on BBC Two between 1981 and 1994. The documentaries could be on any possible subject, the only connection being that they last forty minutes. Some documentaries in the original series were revisited and updated in a 2006 version, Forty Minutes On.

Filmography

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Max Miller: I Like The Girls Who DoMax Miller: I Like The Girls Who Do · 1989
Max Miller: I Like The Girls Who Do
1989
MovieDocumentary
A celebration of Max Miller , comedian and star. Presented by Gerald Scarfe with Max Bygraves Charlie Chester , Doris Hare Jean Kent , Alec McCowen, Tommy Trinder , Max Wall, Bernie Winters and Max Miller 'I'm ready for bed - anybody?' Max Miller , dazzling in chintz and gaudy plus-fours, one foot on the footlights, leering and howling with delight, confronted his audience. Sexual innuendo was his game. He trod a dangerous line, just this side of respectability, across the Music Halls of the 30s and 40s. On the stage of the Hackney Empire, with chorus girls and full supporting acts, Gerald Scarfe re-creates Max Miller 's rise from the back streets of Brighton to the top of the bill. The most outrageous comedian of his day, Max was banned by the BBC, in trouble over the Royal Command Performance, admired and hated by the comics of his age - and ours

Writer