Margareta Bergman

An intense love affair develops between a married concert violinist (Gösta Ekman) and his daughter's music teacher (Ingrid Bergman).

Gertrud is being abandoned by her husband after 20 years of marriage. Offended and unhappy she leaves her home and rents a room. The landlady's son is drawn to her and tries to help her out of the loneliness.

A woman flees to avoid rumors of promiscuity, but is trailed by a reporter who wants to expose her dark past.

In the south of Sweden, some farmers get into trouble when the German Count is forcing them to perform day labor for him. But a man refuses to bow to the German Count.

A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.

The married detective couple John and Kajsa Hillman goes on a vacation to Holmfors mill where a friend of Kajsa's lives with her husband. When a young woman is found murdered it is clear that this is another case for the Hillmans.

Day to day life for an aristocratic family is upended when they lose their fortune and their housekeeper suddenly receives a large inheritance.

In an unnamed country under occupation, a senior officer is killed in an attack by a member of the resistance.

The poor farmer Jan is getting very old when he becomes father to the girl, Klara Gulla. First, he sees the child as a burden, but when he receives the newborn child in his arms he is overjoyed. He does everything in his power for her during her. But when she as an adult leaves home, Jan can not come over the loss of her.

Eriksson is a divorced engineer without intellectual interests. He lives alone in a friendly, rundown tenement where the neighbors' intimate relationships can be easily listened to through the walls.

Famous chef Carl-Ulrik Johansson (Erik 'Bullen' Berglund) comes home to Sweden after twenty years abroad and finds out he never finished his compulsory military service. Consequently he is forced to join the army as a conscript. He has many fights with his sergeant Göran Persson (Thor Modéen).

Counter to the popular image of Erik XIV as the mad king Strindberg paints him as an intelligent but weak king, brought down by his insecurities.