Ernst Sattler

A group of artists and journalists enjoy a series of romantic entanglements in a country hotel. An author, Vera von Eichberg "of whom no photo exists," has mentioned the hotel in her work, boosting its notoriety. When another female guest arrives, everyone assumes she is the author, despite her repeated assertions to the contrary.

When the famous singer Grace Collins got off the plane that had flown her a remote place in Northen Africa little did she know she would meet love and adventure there. If she came there, it was to visit Sir Collins, her stepfather. Falling in love was not on the agenda but how could she resist the charm of Nic Brenten, an alluring and idealistic Dutch engineer? Butcan devotion and generosity really compete with the greed of someone like Sir Collins, a cynical financier who wants to dispossess the locals of the copper mine Brenten helps them to develop ?...

A doctor goes to meet a beautiful girl at a park bench near a wooded area. When he arrives, he finds her battered body lying next to a stream! He then finds himself to be the prime suspect. Who's the killer?

In this film, the wife of a renowned doctor becomes ill with multiple sclerosis. Trying to spare her beloved husband the ordeal, the woman turns to a family friend, Dr. Lang, to help end her life. When this doctor declines to help with the assisted suicide, however, she is forced to turn to her husband. After much soul-searching, Dr. Heyt, her husband, assists in her suicide. The act, however, is witnessed by a chambermaid, who reports him to the police. Dr. Heyt is put on trial for murder and, at first, Dr. Lang testifies against him in court. Soon, however, Dr. Lang is faced with a similar case in his professional practice and this, along with Dr. Heyt’s impassioned performance in court, convinces Dr. Lang that, in some instances, mercy killing may be the right thing to do.

Old John Carstens sells his marine‐equipment firm to Lafrenz, unaware it’s now a fuel‐smuggling front. Living above the showroom with daughter Hanna and son Jochen, he resists Lafrenz’s pressure. When Hanna falls for bargeman Oschi Rasmus, Lafrenz demands John either give up Hanna or settle his debts. John defies him and dies. Oschi clears John’s debts, but Lafrenz soon plots against the young couple.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.