Acting
Ernst Sattler
Born October 13, 1887 · München, Germany
Died January 3, 1974 · aged 86
No biography available.
Known For
Glückliche Reise · 1954Glückliche Reise
★ 6.01954
MovieMusicComedy
Fanny Elssler · 1937Fanny Elssler
★ 7.51937
MovieDramaHistory
Prince Klemens von Metternich orders Friedrich Gentz, one of his aides, to keep the Duke of Reichstadt---Napoleon Francois Joseph Charles---son of Napoleon and heir to the French throne, from thinking about French politics. Gentz enlists the help of ballerina Fanny Elsser, all the rage in several European capitals, to keep the Duke distracted.
Der Sündenbock · 1940Der Sündenbock
★ 9.01940
Movie
The Laugh Doctor · 1937The Laugh Doctor
★ 8.51937
MovieComedy
Because the soulful county doctor in a small spa town in the mountains has interfered with the business of selling "healing waters", he incurs the enmity of the local shopkeepers. And for that reason, his candidacy for the post of District Medical Officer is thwarted.
The Wedding Hotel · 1944The Wedding Hotel
★ 10.01944
MovieComedy
A group of artists and journalists enjoy a series of romantic entanglements in a country hotel. An author, Vera von Eichberg "of whom no photo exists," has mentioned the hotel in her work, boosting its notoriety. When another female guest arrives, everyone assumes she is the author, despite her repeated assertions to the contrary.
The Final Chord · 1936The Final Chord
★ 6.31936
MovieMusicDrama
After her husband dies, a German woman who gave up her infant for adoption to emigrate to America returns to Germany, discovering that her child is being raised by a married orchestra conductor.
Sabine und die hundert Männer · 1960Sabine und die hundert Männer
★ 9.01960
MovieMusicComedy
The Grand Prix · 1944The Grand Prix
★ 7.01944
MovieDrama
The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.










