Paul Laverty

Hoping that self-employment through gig economy can solve their financial woes, a hard-up delivery driver and his wife struggling to raise a family end up trapped in the vicious circle of modern-day labour exploitation.

In Depression-era Ireland, Jimmy Gralton returns home after a decade's exile in America. Witnessing the levels of poverty and oppression, his inner activist reawakens and he seeks to reopen the dance hall that led to his deportation.

A 59-year-old carpenter recovering from a heart attack befriends a single mother and her two kids as they navigate the impersonal, Kafkaesque benefits system. With equal amounts of humour, warmth and despair, the journey is heartfelt and emotional until the end.

A pub landlord in a previously thriving mining community struggles to hold onto his pub. Meanwhile, tensions rise in the town when Syrian refugees are placed in the empty houses in the community.

As a director and his crew shoot a controversial film about Christopher Columbus in Cochabamba, Bolivia, local people rise up against plans to privatize the water supply.

Working-class Angie, sacked from a recruitment agency for bad public behaviour, teams up with her flatmate to run a similar business from their kitchen. With immigrants desperate for work, the opportunities are considerable, particularly for two girls so in tune with these times.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

Robbie is a Glasgow boy locked in a family feud who just wants a way out. On community service, he meets Rhino, Albert and Mo. Little did Robbie imagine that turning to drink might change their lives, leading them to the distilleries of the Scottish Highlands and the biggest gamble of his life.

Summer 1936: young unemployed communist David Carr leaves Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded, he goes to Barcelona, where he joins another group of fighters.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

Middle-aged postman and football fan Eric Bishop struggles with his increasingly chaotic existence, but receives some life coaching from the famously philosophical Éric Cantona.

Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.

Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

Two thirtysomethings, unemployed former alcoholic Joe and community health worker Sarah, start a romantic relationship in one of the toughest Glasgow neighbourhoods.

In Los Angeles, undocumented Mexican immigrant Maya finds work as a janitor through her sister, Rosa. However, as both work non-union, conditions are grim. After enduring abuse from her superiors, Maya is open to the pro-union rhetoric offered by organiser Sam Shapiro. Rosa, meanwhile, is far less interested in clashing with management, given the needs of her family, and a rift forms between the sisters.

A private security contractor in Iraq rejects the official explanation of his friend's death and sets out to uncover the truth.

A young backpacker gets into some trouble in Africa and stows away on a cargo ship heading to Europe.

A young man upsets his Punjabi family when he falls in love with an Irish schoolteacher.

1987, love in time of war: bus driver George meets Carla, a Nicaraguan exile living a precarious, profoundly-sad life in Glasgow. Her back is scarred, her boyfriend missing, her family dispersed; she's suicidal. George takes her to Nicaragua to find out what's happened to them and help her face her past.

A documentary on the films of Ken Loach. Interviews with cast and crew who worked with Loach over the years. It describe his approach to allowing actors a wide range of freedom.

A train travels across Italy toward Rome. Onboard is a professor who daydreams a conversation with a love that never was; a family of Albanian refugees who switch trains and steal a ticket; three brash Scottish soccer fans en route to a match; and a complaining widow travelling to a memorial service for her late husband who's accompanied by a community-service volunteer who's assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and decorum, and opportunities for kindness.