Alzira Andrade

Forty-year-old Cláudio is always looking for a romantic relationship. His routine changes when he has to take care of his 12-year-old daughter: women no longer look at him and the conquest tactics have no effect.

Set in 1940s São Paulo, the story follows Laura, a modern woman devoted to the arts who is oppressed by her husband, Natércio Prado—a wealthy man with traditional views. Amidst marital turmoil, Laura suffers a severe trauma and is even committed to an asylum by her husband. The couple separates, and the family is torn apart: Laura keeps her youngest daughter, Virgínia, while Natércio retains custody of the other daughters, Otávia and Bruna. Frail and penniless, Laura moves into the Vila Mariana home of her neurologist, Daniel. He is in love with his patient and believes her condition is physical rather than mental. Laura hides the fact that Virgínia is actually Daniel's daughter. The youngest daughter eventually returns to live with her father, where she faces hostility and harshness from the housekeeper, Frau Herta.

Set in Rio de Janeiro, the main plot follows the romantic adventures of four young people: Sônia, Joyce, Paulo, and Carlos. The youngest, Joyce, was raised by her aunt and uncle, Flávia and Dario Rodrigues, following her mother's death and her father's disappearance. Dario and Flávia are Sônia's parents, and they raised both girls as sisters. The story becomes even more complicated with the arrival of Carlos, a young man of humble origins who falls for Joyce the moment he meets her. Joyce, however, does not reciprocate his advances and spurns his interest. Increasingly in love with Paulo, she even pretends to be blind after an accident—solely to remain close to the doctor—and proves willing to do whatever it takes to keep Sônia out of her way.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

Diana is woman who lost her child for her Husband. A evil man behind a series of crime operations. Searching for her son, Diana is hired for a underground organization to fight crimes all over Brazil. Now, Diana has the meanings to locate her former husband and search for her son.