Andres Sööt

Documentary about Hendrik Allik, a revolutionary and a communist, is not just a biographical film. The filmmakers have recorded several episodes from Hendrik Allik's life's marathon. Ene Hion and Andres Sööt have focused on the protagonist's attitudes, evaluations and wisdom.

Andres Sööt's portrait of the legendary radio man Feliks Leet, a long-time Pärnu correspondent of Estonian Radio. A lifelike, comic depiction of a tireless newsman in his daily work - conducting interviews and reports on current events and mentoring young reporters.

When we say "Tartu", we mean "Matteus". Arnold Matteus (1897-1986) studied architecture in Germany and worked as Tartu's chief architect during several governments and the war. He was a gentleman, a diplomat, a creative personality and a master of compromises.

The year of 1988 in Estonia was exceptional - it came as a surprise for everyone that all of a sudden national symbols were allowed; expressions of no confidence were addressed towards the leaders of Communist Party and Estonian government; the Popular Front of Estonia and Estonian Green Movement but also the Intermovement (the Workers International Movement of the Estonian Soviet Socialist Republic) were founded. Estonian Heritage Society restored the monuments of the War of independence; the facts about war crimes during the Stalinist regime were disclosed and - imagine that! - the representatives of Estonian Republic went against the central authorities in Moscow. Events in Estonia draw international attention. Is all this possible in a totalitarian state? This documentary chronicle gives a plausibe interpretation of the events that took place in Estonia in 1988, of the changes in people's lives and the awakening after a 48-year-long period of darkness.

Young high school graduates express their thoughts on life and love.

Peeter Saarmann has grown up in the Raidma family with the knowledge that his father was a casualty of war and mother died during evacuation. He is a university student who prepares to get married. During renovation Peeter finds a pre-war newspaper article about an enterprise that seems to upset his stepfather. The night before his wedding day, Peeter runs into a drunk man who calls Peeter an illegitimate offspring. When Peeter hears the truth about his real parents from his stepfather, he has the feeling that this could become crucial for his future plans.

The documentary depicts Antarctica as an aesthetic phenomenon - it is a land of eternal silence and stillness; during its short summer the continent reveals its most beautiful treasures. Filmed during the 13th Soviet Antarctic expedition from November 1968 until May 1969.

Valeria Anderson's fourth documentary is a dramaturgically and conceptually complete visual-musical work comparable with the best British industrial documentaries of that era. The strict frame sequence gives a figurative overview of the birth of reinforced concrete wall panel.