Peter Lucas

Interviews with leading authors, philosophers and scientists, with an in-depth discussion of the Law of Attraction. The audience is shown how they can learn and use 'The Secret' in their everyday lives.

In 1955, young photographer Dennis Stock develops a close bond with actor James Dean while shooting pictures of the rising Hollywood star.

A vampire hunter in southern California discovers that his son has been murdered by a gang of the undead and thus goes on a quest for revenge.

A husband sets out to buy cheesecake for his pregnant wife, only to be swallowed by city chaos as she goes into labor alone.

An evil scientist creates a device that controls humans. With a press of the button, the subject will explode. A special forces team called "Total Force" must seek out and destroy the scientist and his lab. Later on in the film they are supported by terrorist Jack O'Hara, played by Frank Stallone. 'Comic relief' is provided by a corrupt senator, whose character is not at all funny.

After being rescued by an older migrant-friendly couple, two young lovers from Mexico find themselves living an inescapable nightmare.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.

Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.

Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.

Confronted with a series of racially charged incidents, a young black man must overcome rage, alienation, and hopelessness in order to find his own humanity.

Against a set which has been designed in a Kafkaesque and claustrophobic way, Rybczynski has recreated a World of Kafka which corresponds well with Kafka's maze-like novels. It is an abstract and unpredictable world where Kafka himself moves between the scenes of his own stories, from America via The Castle to Metamorphosis, and The Trial is of course the frame story throughout. Rybczynski has chosen to portray Josef K as an alter ego. Other characters become members of his own family, which means that Rybczynski makes a kind of exemplary, depth psychological close reading of his work.

Two brothers tragically separated after a destructive childhood accident - one becoming a relentless police officer, the other a rising crime leader - are on collision to reunite, as family loyalties are challenged and fates align during a major arms deal in Los Angeles.

When his superhero son rallies the town to search for a missing woman, a lonely father demands he first fix the leak in his bedroom.

A dark and strangely surreal snapshot of sexual desire aimed at the exotic.

The film traces the cultural and environmental influences of a soil-dwelling, pathogenic fungus, Coccidioides immitis, and its associated disease, valley fever, in California's Central Valley. Interweaving past, present and mythological time, the film draws upon historical and cultural references, including the plight of migrants during the Depression, the spread of the disease in recent years, contemporary theories of climate change, and the significance of the desert wind in ancient Assyria. In Ruperto and Keagy’s film, natural phenomena remain neutral, fleeing from any kind of judgment and avoiding binary oppositions of positive and negative, destruction and regeneration, life and death.