Leandro das Neves

Late in the afternoon, a student and a construction worker sit on the edge of the bay and leave traces on the landscape.

Between the urgency of running away and wanderings, Glória exists in the strange instinct of the night and living crowd.

They said there was a sugar cane field outside. And now all memory of the cane spread around.

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.