José María Rodríguez

Left on the doorstep of a monastery as an infant, Marcelino was raised by the monks. He was well-cared for but lonely and missed having a mother. One day he found a special friend in the forbidden attic, hanging on a cross. A friend that would repay Marcelino's kindness by granting him one heart-felt wish.

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

A couple having an affair strike a bicyclist with their car and do not offer aid out of fear of their relationship being exposed.

Berta is a German who comes to a small fishing village to marry Lorenzo, owner of an island and that only known her through his letters. The early days of their marriage are a constant disappointment, especially when it finds that her husband has no resemblance to the author of the letters. He lives embittered by an old story and is hated by all.

One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.

Don Juan is arrested during one of his raids loving, just as he intended to seduce the daughter of the Governor, who was about to marry. His faithful servant, too accustomed to be all sticks, passed by him to save his skin, a situation that will allow you to win the love of a beautiful comic. Meanwhile, the real Don Juan is reduced to the status of servant.

A French crew is working on location in Spain. But when they want to film a scene in which Gérardn the male star is supposed to be swimming across a river, the matinée idol proves water-shy and the director decides to double him. The one that replaces him is Antonio, a local fisherman. The latter does the job so well that he is chosen as a stunts man for the whole film. This does not please Lola,his fiancée; all the more as Antonio has fallen in love with Martine, the female star.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.