Ariel Severino

Venezuelan comedy directed by Lorenzo Capra.

A bloodthirsty and cruel lord increases his fortune by overpowering timid and ignorant peasants. Riccardo and his partner Hilda work to ensure that justice is done.

Venezuelan comedy by Juan Corona with text by Aquiles Nazoa.

An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque Rodó are transformed into French settings.

Italian-Venezuelan co-production directed by Renzo Russo, with text by Aquiles Nazoa.

This is the story of a suburb in Buenos Aires, its neighborhood, and how they live together in poverty, conjoined by the games of the children, and the love and support of the grown ups.

Directed by Carlos Alonso, the drama is the film version of the documentary chronicle of the journalist José Sánchez Flores about the tragedy that occurred on May 9 of the same year in the town of Pueblo del Oro - today Mendizábal - in the department of Treinta y Tres, a story that is part of Uruguayan folklore and that had the child Dionisio Díaz as the protagonist.

The captain of a small vessel, regularly sailing between his home island of Margarita Island in the Caribbean and the Venezuelan mainland, has two separate and very different relationships. At home, he is happily married, having named his boat Isabel after his wife. Yet on his visits to the port of La Guaira, he has a passionate affair with Esperanza, a woman working in a seedy cabaret who tries to retain him with hexes and spells. A classic of Latin American cinema, which won Best Cinematography at 1951 Cannes Film Festival.