Vladimir Mikhaylov

During the agrarian collectivization process in the Soviet Union, Vasyl, a peasant member of the youth division of the Communist Party, gets a tractor with the help of a local party organization and plows private boundaries on kulak fields. However, this enthusiasm will cost him dearly.

About life and customs in the boyar environment during the reign of Peter I.

The priests, stock market officials, and police conspire to squeeze income out of pilgrims come to see relics of a Christ like figure. A pair of con men try to pass of a resurrected saint.

The film tells the story of Judas and Satan wandering the world in search of a virgin who could become the mother of the new Evil.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

Adaptation of Jack Londos's short story "The South of the Slot". Partially lost.

A Moscow hat shop girl chances upon a penniless young man who has arrived from the countryside for university and takes pity on him.

History of theft and double crossing when two thieves fall out over the theft of the money of the proceeds of the sale of a house by a banker to a religious community.