Leo Abrahams

Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. In addition to performing, band members share their thoughts on fame, love, mortality — and car maintenance.

Brian Eno and Roger Eno have been recording together since 1983. This unique musical event not only sees the two brothers performing live together for the first time but is one of very rare occasions that Brian has ever performed live in front of an audience. In front of a sell-out crowd and against a backdrop of spectacular images being projected onto the stones of the Odeon of Herodes Atticus amphitheatre, Brian and Roger perform atmospheric musical landscapes from legendary productions that include ambient records, television soundtracks and film scores.

"Do you remember the first time?" asks the big screen on the main stage, just before Pulp arrive. Many up the front were but a twinkle when Sheffield's finest debuted Common People here, back on this day in 1994 – "Who was here?" questions Jarvis. "Who was born?" Not that it appears to dampen anyone's ardour – and who can blame them, because this is an imperious set, ranging from a perfect F.E.E.L.I.N.G C.A.L.L.E.D L.O.V.E to a glorious Misshapes, its line about "The future that they've got mapped out/ Is nothing left to shout about" sounding more contemporary than ever. Jarvis jumps from towering speaker cabinets, lies horizontal for some athletic hip-thrusting during a torrid This Is Hardcore, and dedicates Joyriders to "the rioters", quipping "they weren't rioting, they were just playing Grand Theft Auto outdoors". Honestly, it's hard to imagine how their reformation could have been handled any better.

Globalisation, politics, and religion are ruthlessly stamping out the last remnants of traditional culture in Tajikistan. Today, many of these ancient traditions survive only in the mountains, where music and dancing still accompany people in joy and sorrow, just as they did a thousand years ago. After hearing a recording of a Tajik instrument called the maddoh many years ago, British musician Leo Abrahams was struck by its unusual beauty, and travelled to Tajikistan in an attempt to hear the music in person. In Rhythms of Lost Time, Leo travels the country and meets local residents, who introduce him to the hospitable and rich culture of Tajikistan. Together, they draw back the curtain on the challenges that traditional culture and the Tajik people have faced both in the past, and in the present day.