Andrijana Stojković

A grenade fired from a nearby hill kills the parents of a ten year old boy during the siege of Sarajevo in 1992. The Boy looses his ability to speak. A lady neighbor adopts and takes care of him. The Boy is thrown out from his destroyed apartment and begins to prowl around the city with a schoolmate. Too early and too soon, he goes through the process of growing up. He learns the meanings of such words as force, death, sex. He learns how to achieve. He learns about the values. He learns what matters the most. The Lady neighbor that takes care of him tries to shelter him and protect him. Unsuccessfully. The Boy rides to fall. Death and suffering become more frequent, and more severe. When the Lady neighbor's teenage son is killed by a sniper as a collateral damage, she then rejects the Boy. The Boy escapes the siege, and shoots from a cannon at the city.Fifteen years later, the Boy - now twenty five - and the Lady neighbor meet again. They are united in pain and suffering.

Indira, a Cuban immigrant, succeds to flee to United States, but her emigration has consequences inflicted to her family. In Sanata Claram in Cuba, she left her 11-years-old son, mother and family. In New Jersey, Indira struggles to adapt to weather, different mentality and to a completely new social system.

The film 3211 is a true story about Stefan Djuric, a successful musician who one day loses everything and goes to prison, where only his songs remain from his former life.

11 year old Ivica is an explorer of the small world around him, a world of industrial wastelands and uncertain terrain. A world that is still less strange than the drama that unfolds in his own home.

Australian writer Wongar lives a secluded life taking care of his 6 dingoes for which he believes embody the spirits of his tragically lost Aboriginal family.

Documentary about Belgrade most prominent rock bands of the early 21st century.

This film is about two Ukrainians cousins: Sergey and Eduard, who are illegal immigrants in Portugal. They work as construction workers in the outskirts of Lisbon. The two of them share a converted garage with three others illegal Ukrainian immigrants. Their life in the garage is very basic and dull, but their inner life is full of contradictory feelings and nostalgia. The film describes their final months in voluntary exile, when yearning for home becomes more acute while the question of prolonging their stay arises. Finally, they leave Portugal and the film follows their first days in their own country. What kind of dreams can give them the strength to live and survive in these inhuman conditions in a faraway land?

A low-budget Serbian comedy.