Brian DeCubellis

Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when Caroline, a seductive stranger asks him to dig into the unsolved murder of her filmmaker husband Simon, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life.

Set in the glamour of the New York and Paris art scenes, gallery owner Brooke Gatwick and her newscaster husband Owen Shore, face temptation, jealousy, twists and mystery when two seductive newcomers enter their lives.

Here Ahwesh's heterogeneous textual approach comes to the fore, as she juxtaposes narrative, faux documentary, comedic and "serious" footage, and merges film, video, and Pixelvision. Suggestions and meanings accumulate: austere, theoretical text is interrupted by shots of women relating bawdy (sexist) jokes; classic R&B music plays while women stomp on records and pour alcohol on the floor. The Vision Machine is a fragmented inquiry into issues of gender, language and representation.

The American South is known for its beauty and culture. However, its dark side – the greed, the lust, the wrath – can be just as alluring. Sins of the South is a true crime series that leans into the drama, history, heat and heinous crimes below the Mason-Dixon line. Unravel the twists and turns of a real-life murder, highlighting the disturbing crimes of the South and the wickedness that led to it. First-hand accounts from victims' loved ones and law enforcement, archival footage and cinematic recreations bring these sinful stories to life.