Syrel Lopez

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

Robert Lim, a struggling traveling salesman and devoted single father, takes his young son to a mall for a weekend treat. Turning his back for just a minute, he realizes that his boy has disappeared. Surveillance footage shows his son being led away by an older child. When the police fail to find him, Robert takes to the back streets of Manila, uncovering the dark underworld of human trafficking.

A Filipino-American boxer on a pleasure trip, a prostitute on a mission, a local drug dealer experimenting with time travel, and a social climber all cross paths in Cebu, the beautiful Philippine southern island, in this deliriously imagined occult superhero movie.

In late 1970s Philippines, a military-controlled militia oppresses a remote village, spreading terror both physical and psychological. Fearless young doctor Lorena opens a clinic for the poor but disappears without a trace. Her activist poet husband sets out to find her.

Andrés Bonifacio, the freedom fighter known as the father of the Philippine revolution, was executed by rival revolutionaries in 1897. His wife, Gregoria de Jesus, searched for his body in the mountains for 30 days. It was never found.

A Filipino thriller directed by Ian Loreños

Laya is a young professional photographer who has drifted away from her family. Her father has fallen ill, but she hasn’t once come to visit him at the hospital. Her mother, who left their family when Laya was a child, returns to urge Laya to make amends with her father, but Laya’s pain goes deeper than her mother suspects. Laya is sent to the provinces to document a ritual of a disappearing indigenous tribe, and there, she inadvertently comes face to face with her own demons as she observes the relationships of the last remaining members of this dying culture.