Sara Fattahi

'Chaos' narrates the story of three women in three different cities. They have given up on life. One lives in Damascus. She has stopped speaking to others entirely, isolating herself in her flat. The other has left Damascus as a result of the war and went to Sweden, where she imprisons herself in her paintings, hoping through them to rid herself of the torments of the past. The third ended up in Vienna and faces an unknown future, like the ghost of a woman who fled Austria after the Second World War. It is a discussion between a woman stuck in Damascus, a second stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior – an impossible conversation.

“I am not the remains. I exist.” Three Jordanian women barely survived the violence inflicted on them by men. Çelik films them from as up close as possible in their flats, which they barely leave, listening to them speak with the opaque logic of trauma.

More than a year after fleeing Iran, young filmmaker Sara Fattahi faces a great void. Where could that feeling come from, as if some part of her is missing? She reaches for her phone to find answers.