Marta Loza Alonso

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Antoine and Olga, a French couple, have been living in a small village in Galicia for a long time. They practice eco-responsible agriculture and restore abandoned houses to facilitate repopulation. Everything should be idyllic except for their opposition to a wind turbine project that creates a serious conflict with their neighbors. The tension will rise to the point of irreparability.

An orphaned girl named Atenea lives in isolation with other children. When adopted by a family, she glimpses a chance at belonging, but her fear of losing this newfound home drives her to extreme measures.

Chile, 1970. During a night of heavy drinking, lonely 20-year-old Jaime is sentenced to prison. There, he meets The Stallion, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, Jaime faces the violent power struggles within the prison.

In remote Chile, a vacationing young woman begins to mentally unravel; meanwhile, her friends ignore her claim until it's too late.

A game of paintball turns deadly when three unhinged and deranged ex-soldiers play a twisted mind game of catch and release with their unsuspecting victims. This quickly leads to a bloody man hunt where everyone is a target and no one is safe.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

Teresa, a Carmelite nun, reformer, and mystic of the Roman Catholic Church, has been ostracized for her beliefs. She will meet with the Inquisitor. All kinds of decisions regarding her are possible.

Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.

2025 - The Shuttle Program has been privatized and the shuttle Atlantis relegated to glorified taxi between space stations. Its crew is on a routine mission, conducting experiments - little do they know - they are the experiment. Written by Max Bartoli

Manena is the headstrong adolescent daughter of Pancho, a rich Chilean landowner who devotes his vacation to one thing : the invasion of his artificial lagoon by carps. While he employs increasingly radical methods, Manena has her first romantic experiences and hearbreak - and discovers a silent world in the shadow of her own : that of the Mapuche Indians who demand access to the land and clash with her father.

Marco, a cynical and ambitious young lawyer, lives in Bari with his partner Martina and their eight-year-old son Mateo. Martina had left Chile and moved to Italy when she met Marco. Their relationship has run its course, however, and Martina longs to go back to her country with Mateo, but Marco, the loving father left out of the equation, is adamantly against the idea. The couple clash for weeks on end, until Martina abruptly leaves the country with their son, goes back to Chile and virtually vanishes. With no news of Mateo, time seems to stand still for Marco. Anguished and unable to cope, he finally rallies and sets off in search of his son.

The expected return of the son for his father funeral shakes up a traditional and secretive familiar environment where women are supposed to count on men to survive as he shows himself turned into a female.

Stefan Kramer taking advantage of the presidential elections in Chile decides to make a show for the occasion. Unfortunately, the public believe that it is a real candidacy and will have to become a real candidate.

Back to the Future, Spain 1982: at a euphoric party, young people celebrate the election victory of the Socialist Party. López Carrasco stages the past with stunning precision and shows the future as a surprising result: well, the present.