Tomás von der Osten

A documentary about the creative process of Arrigo Barnabé

Euller Miller is a young native Brazilian of kaiwá ethnicity who leaves his small village just outside of Dourados (MS) to study dentistry at a public university in the crowded capital city of the state of Paraná. The film follows the complex transition between two very different worlds and the search for new horizons without abandoning his indigenous roots.

Rómulo's quiet routine in Rio de Janeiro changes overnight when an accident starts a wave of absurd events. Far from there, Orlando, his twin brother and rare works dealer tries to buy the book of a Brazilian student with financial problems. The twins' lives will be on a collision course with the arrival of a mysterious manuscript.

Zola is unable to complete her family tree for a school assignment. Upon listening to her feelings and doubts, her grandmother, Cícera, tells her stories of her ancestors and during this exchange Zola learns that her roots are deeper than she imagines.

Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.

Vicente, a 14-year-old boy, sets off through the suburbs of his city to find someone, and then to do his recently deceased father a last and unexpected favor.

Theatre students André and Gabriel drum up support for resistance against the dismantling of culture policies in Brazil.

A teacher awaits the arrival of his late students. Far away, a young couple wakes up surrounded by trees. It’s ten-fifteen in the morning.

Solange wants her stuff back. She moved out of town five years ago and now returns to retrieve her belongings, which she left in boxes at friends' homes.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

With a broken heart thanks to the end of a relashionship, Giba wanders around. All of a sudden he meets his friend Conrado, who introduces him Bia.

Marta wants to give herself a chance to live a new life, in a new city.

Saturday night, the Brazilian Midwest. Jean is a redneck listening to a local radio station where listeners send their messages of love.

After a tough day at work, Alberto just wants to go home and show his wife his new tattoo: "Célia everlasting love", but his sister unexpectedly arrives and needs a place to stay.

Vando (aka Vedita) is not seen for a long time in the streets of Barra.

Three times a memory.