Roland Pégurier

In the Camargue a local young playboy named Frédéri falls in love with a young woman from Arles. His family thinks she is unsuitable as a wife because she had a fling with a soldier. His entourage attempt to cheer him up but he intends to commit suicide.

In pre-World Ward I in Paris, a budding artist, Pierre LeBlanc, falls in love and marries Janine, a dressmaker's assistant. Pierre has a flair for designing clothes, and he and his bride live in a blissful paradise, until the war breaks out and he becomes a soldier. Janine dies in childbirth and, no longer desiring to live, Pierre volunteers for a dangerous patrol behind German lines. While recuperating in the hospital from a wound he received on the mission, Pierre spends his time drawing sketches of dresses. He becomes rich and famous after the war. Years later, after devoting himself to his daughter, Pierre seeks a marriage with a girl no older than his daughter. A conflict develops and to ensure his daughter's happiness, Pierre sacrifices his own plans.

Four young friends share the carefree, cheerfulness, laughter and dances of Bohemian life. Rodolphe the painter, Alexandre Chaunard the composer, Colline the philosopher, as well as Marcel and his friend Musette. Mimi, a romantic young girl, falls in love with Rodolphe.

Having pulled off a robbery with his friend Maurice, Olivier leaves his mistress Lola and hides out in a small village in the country. He finds work, thanks to a young man named Gilbert, who introduces him to his sister, Monique. Once the robbery has been all but forgotten, Olivier intends to head back to Paris, but before he goes, he steals money from his employer. In Paris, Olivier wants to say a proper goodbye to Lola, but she is being blackmailed by Jérôme, an antique dealer who has recognized a necklace stolen by Olivier. Before returning to Monique, Olivier calls on Jérôme to recover the necklace.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."