Maud Linder

The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.

Robert Langlois is now married to Catherine, the former housemaid. And they would live happily ever after if the housing crisis did not force them to live together with Gabrielle and Fernand, Robert's parents. For, despite the good will on either side, tension soon arises. What else to expect when there is too little space in their Montmartre apartment for four people (then for six then eight, the couple having... two pairs of twins!) ; the continued presence there of Fernand (who loves peace and quiet) after he is driven to retirement ; the difficult beginnings of Robert as a lawyer in a room of the apartment, etc... Other troubles follow and the harried family is on the verge of implosion...

Max, an illusionist as unlucky as he is skilled, would like to marry his boss's daughter, but his boss won't hear of marriage and even threatens to fire him if he doesn't come up with an interesting act. A supplier of magic items comes to Marx's rescue, handing over his "magic clock". Marx locks himself in to experiment with it and, unable to get out, falls asleep... He has a dream in which, with the power to make false things true, he becomes the hero of extraordinary adventures that take him to an Eastern country where he is made Emperor. He calls Helen to marry him, but the deposed Emperor takes revenge by having the usurper locked up in a sarcophagus.

Pioneering comedy legend Max Linder wrote, produced, directed and starred in Seven Years Bad Luck. Hilarious misadventures begin when Max' butler, chasing a maid, breaks an expensive full-length mirror. The butler persuades the cook, who somewhat resembles Max, to stand behind the frame and be Max's reflection. This gag, developed by Max, has become a classic of film and even television borrowed by everyone from the Marx Brothers to Abbott and Costello to Red Skeleton.

A documentary with many excerpts from the films of French movie pioneer Max Linder, narrated by his daughter.