Aleksandar Gligorić

Marko, an aspiring filmmaker, is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. Soon a shady producer appears, he will pay them real money if they are willing to start making snuff films for him.

A story about Petar Maraš, a Belgrade criminal in his late twenties, whose one reckless move causes an avalanche of events that will greatly affect the lives of those around him.

Fury returns to the past, to the futuristic, insensitive environment that sinned against her when she was a little girl. In search of her torturers, she cuts holes in her memory and, as an extended hand of Justice, punishes the responsible.

Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

When a rookie operative's mistake costs the lives of his entire team, he's forced on the run and must piece together the truth by re-creating the events of the ill-fated mission with only the audio recording to guide him.

Living in the boondocks of Serbia, Marko is a young man pushed by a lack of job perspective into hard labor in the cold and loneliness of Siberia. He is facing his last 24 hours at home, with his only family being his formerly successful father, now retired and broke.

The film follows three young people from Belgrade, a city that offers nothing but pragmatism and not many life opportunities.

Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.