Sumie Tsubaki

This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.

A Japanese-speaking family in occupied Korea deal with the war.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

Story of a bandit king part 2.

The story is based on the life of a poet who lived in Japan in the Taisho era. When her fiancé is arrested she believes he has suddenly disappeared and that he has abandoned her. She faces a dilemma. Despite her family being of a high class, they do not have money, which means she has to get married to someone who does. This drives her to marriage with an older man whose sole affection is directed at her looks and outside. Then she meets her freed fiancé.

A large family scrapes by on the meager salaries of the father and three eldest sons, who left school in order to work and support the family. The fourth eldest is soon to graduate and follow in their footsteps, though he'd rather continue schooling. The eldest finally decides to break free and set out on his own against his parents' wishes, with the support and sympathy of his siblings.

Story of a bandit king.