Ryōnosuke Azuma

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

Zatoichi's trek through 88 temples to atone for his violent past is interrupted as he stumbles into a village terrorized by a violent yakuza boss.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

In one of Japan's most frequently-told ghost stories, a murdered wife returns in an act of vengeance.

Disguised as a beggar monk, Ryunosuke is harassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall. The third film in the Satan's Sword trilogy.

A decapitation at the hands of the shogun's monstrous misbegotten son kicks off the action and draws nomadic Nemuri Kyoshiro (Raizô Ichikawa) into more sword-fighting adventures when he's blamed for the beheading. Meanwhile, the head-chopper's mother is busy knocking off the shogun's lawful heirs to secure the shogunate for her son.

Yesterday a gentleman, today a student, tomorrow a stylish man in a casual kimono—Ginji, the pickpocket with seven faces, has his sights set on the gold watch of destiny. A tale of passion, love, human emotion, pistols, and thrills.

By day, he is a young master whose beauty melts women’s hearts. By night, he is the elusive “White Hood.”

An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

A handsome young man infiltrates the Tanuki Kingdom, where conspiracies swirl around the Divine Mirror; he rescues the princess and turns the evil ministers against each other.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

A beautiful swordswoman dressed as a man falls in love with the young lord who is her enemy.