Lindy Cameron

Two American mafiosi, Gino and Settimo, take refuge in the Glasgow cafe owned by their Scottish/Italian cousin, but he isn't the tough guy they'd expected. Gino and Settimo try to repay Roberto's hospitality by chasing off a debt collector who wants his property, but their strong arm tactics alarm him and he realises they aren't the PR consultants they claimed to be.

Drama set against the backdrop of the American submarine base at Holy Loch, Scotland.

It is the early 70s, and oil has been discovered in the North Sea. The UK needs rigs and needs them fast. Their search for a location to build the platforms settles on the sleepy Highland bay of Nigg on the Cromarty Firth, and a way of life is changed for ever.

An odd meeting and ensuing series of events between a man and a tramp.

One of Ireland's favourite sons and greatest live performers, folk singer and balladeer Christy Moore filmed live at Barrowland in Glasgow in 2008 with his veteran accompanist Declan Sinnott. Moore is in intimate communion with an attentive audience, playing a classic setlist that includes Missing You, Black Is The Colour, Pair of Brown Eyes, Ride On.

Follows the Ibiza club scene during the summer of 1990

Based on the much-loved series of books by Mairi Hedderwick, Katie Morag is a small red-headed girl who lives with her family on the remote and beautiful fictional Scottish island of Struay. Although she lives in a fairly unique setting, her adventures are full of experiences and feelings that all children can recognize and identify with. Her stories are full of jealousy, bravery and rivalry – surrounded by an annoying little brother, busy shopkeeper parents, a perfectly perfect best friend and a couple of grandmothers who between them know everything about everything. The stories celebrate the intrinsic sense of community, the preciousness of the environment and the universal tensions and joys of family life. Katie Morag is a feisty character who has been known to get herself into scrapes but who generally emerges from them (usually with some assistance from one or other of her Grandmothers) in a funny and endearing way.

Monologues inspired by women who have spoken out, challenged the status quo or made a stand – often at great personal cost.