Anita Krausová

Filip is released on parole from a youth detention center and returns home to his mother, who is being seemingly helpful with his integration back to life. However, in a familiar environment surrounded by people from his past, Filip's frustration starts to show.

LISTOPAD is a tale about the adventures of three teenage boys who become swept up in the 'Velvet Revolution' of 1989.

Conceived as a kaleidoscopic mosaic, the film follows the imprint Franz Kafka left on the world from his birth in 19th-century Prague to his death in post-WW1 Vienna.

A mentally handicapped young man decides to leave the security of his family in order to search for the purpose of his existence; whether it is freedom, sexual experience, or death.

Milan and Týna Svoboda’s marriage has, in recent months, turned into a series of minor and major misunderstandings, with the couple now arguing about almost anything. A holiday therefore seems like the right choice to save their relationship. But what if they each have a different idea of what that should be? Milan has a soft spot for the Czech countryside and is thrilled at the prospect of sleeping under the stars, whilst Týna would much rather be by the sea. She sees the campsite in the Bohemian Paradise more as a compromise. From the moment they arrive, even seemingly ordinary things turn into comical disasters that gradually escalate. Instead of relaxation, the tension between them only intensifies. After an unexpected incident at Trosky Castle, they decide to try something completely different – spending some time apart. Perhaps this way they’ll finally discover what’s really important in life…

Kristýna’s comfortable small-town life unravels when she discovers her long-term boyfriend Filip’s infidelity, and her well-meaning but intrusive parents only complicate her resolve to move on. With support from her best friend Tamara, she meets the charismatic graphic designer Tomáš and has to face a choice.

Mária, a retired teacher, one fine day decides she no longer wants to feel like a cow, and when not even the mayor helps her against the arrogant source of local evil, she obtains a gun and resolves to do what most of us occasionally think of but immediately banish from our minds. Very soon, however, she discovers that just as murder is morally complex, it is equally complex logistically, despite her former pupil, now on probation, offering her this priceless life advice: “Crime only looks simple, Mrs. Teacher, but then something always goes to shit.”

Psychologist Eliska contacts musician Martin with a request for him to perform at an event on mental disorders. Their intense relationship ends with Eliska's suicide, which will resolve long-lasting pain without cause. She flew through Martin's life like a spaceship. She left clothes, things, a farewell letter. But also memories, dreams and eternal encouragement to play. She's still with Martin. Like a memoir, as a gratitude for the experience, like a muse.