Ed van der Elsken

Directing

Ed van der Elsken

Born March 9, 1925

Died December 28, 1998 · aged 73

Ed van der Elsken (1925-1990) - the enfant terrible of Dutch photography - was a talented photographer and filmmaker who expressed his meetings with people in photos, photo books and films for more than 40 years. Strolling through cities such as Paris, Tokyo, Hong Kong and Amsterdam or travelling through Africa and Japan, he preferably took photographs of striking individuals with character. His f…

Known For

BeppieBeppie · 1965
Beppie
5.21965
MovieDocumentary
BEPPIE is a moving and disarming portrait of an Amsterdam street urchin. Van der Keuken once described her as follows: 'She was ten years old and the joy of the Achtergracht, where I was living at the time. An Amsterdam child, sweet and crooked as a corkscrew.' He films her while she skims the city with some friends and knocks at strangers' doors. Her family has nine children and is not well off. In those days, a visit to the De Miranda swimming pool cost a quarter, but only ten cents if the weather was bad. At school, Beppie gets a poor mark because she is too boisterous, but when the whole class rattles off the multiplication tables, she joins in at the top of her voice. All of TV-watching Holland was wildly enthusiastic about this portrait, with which Van der Keuken even made the front page of the national newspaper De Telegraaf.
LieverdjesLieverdjes · 1961
Lieverdjes
8.01961
MovieDocumentary
An impression of schoolkids in Amsterdam: in the canal boat, in Artis Zoo at the monkeys and swimming in the canal.
ByeBye · 1990
Bye
1990
MovieDocumentary
Famous Dutch photographer Ed van der Elsken, suffering from prostate cancer, shares his thoughts predominantly on his illness, but also on his life and work.
BicycleBicycle · 1965
Bicycle
6.01965
MovieDocumentary
Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.
HandsHands · 1960
Hands
6.01960
MovieDocumentary
Handen (Hands) is an experimental documentary film by Dutch photographer and filmmaker Ed van der Elsken. the film is a moving and poetic observation of how hands play an integral part in human life, from birth to death.
Found footageFound footage · 2005
Found footage
2005
Movie
Poverty, Demolition and Waterlooplein 1962/1964
Hee poppelepeeHee poppelepee · 1967
Hee poppelepee
8.01967
MovieDocumentary
Report of the last market day on the old Waterlooplein in Amsterdam. Traders and visitors are interviewed and van der Elsken provides the commentary to the events.
DylabyDylaby · 1962
Dylaby
5.01962
MovieDocumentary
For the exhibition Dylaby, the museum’s director Willem Sandberg and artist Jean Tinguely transformed the Stedelijk into a huge labyrinth. The film follows a tour of the exhibition in which the viewers have to actively participate in this DYnamisch LABYrint. Van der Elsken walks through the exhibition; looks, sees and hears what is happening, and also records viewers’ responses.

Filmography

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BeppieBeppie · 1965
Beppie
5.21965
MovieDocumentary
BEPPIE is a moving and disarming portrait of an Amsterdam street urchin. Van der Keuken once described her as follows: 'She was ten years old and the joy of the Achtergracht, where I was living at the time. An Amsterdam child, sweet and crooked as a corkscrew.' He films her while she skims the city with some friends and knocks at strangers' doors. Her family has nine children and is not well off. In those days, a visit to the De Miranda swimming pool cost a quarter, but only ten cents if the weather was bad. At school, Beppie gets a poor mark because she is too boisterous, but when the whole class rattles off the multiplication tables, she joins in at the top of her voice. All of TV-watching Holland was wildly enthusiastic about this portrait, with which Van der Keuken even made the front page of the national newspaper De Telegraaf.
Karel Appel, ComposerKarel Appel, Composer · 1961
Karel Appel, Composer
1961
MovieDocumentary
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.

Cinematography