Teodor Piovarči

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

A dramatic story of the emotional, moral and political maturation of two young people during the Slovak National Uprising.

Slovak psychological drama from the end of World War II. The plot of the film takes place in a short period of time just before the outbreak of the uprising. It is the story of a man who wages his "private" war against the man who is responsible for the serious injury of his brother. The upcoming Slovak National Uprising becomes the backdrop for a model-built story that touches on stubborn personal revenge in a situation of war conflict, when human life loses all value. The actions of the main character thus sound like increasingly absurd actions, his motives and the impact of his actions are relativized, the very legitimacy of such a belief appears shaky.

Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.

A story about three young boys who are best friends and together are trying to fight a poacher in the forest close to their village.

Two men of principle face each other. One is backed by a whole, however poor village, the other by the law. It is a conflict that reaches it's climax in the closing shoot-out. Instead of the Wild West, the gunshots go off on the Slovak-Polish border. Michal Docolomansky as the horse smuggler and Radoslav Brzobohaty as the customs officer from Prague meet in Holly's Night Riders in a western-like confrontation set in the insecure years of the newly founded Czechoslovak Republic.

A Slovak detective story set in contemporary Bratislava and featuring ordinary people with their own everyday problems. The violent death of Olga Holešová places them under heavy suspicion of murder. A series of strange coincidences and circumstances complicate the investigators' work. Her husband's infidelity, the loss of a large sum of money that the treasurer Fiala is supposed to replace, a lawyer earning extra money by doing various odd jobs - all these are confusing clues, among which investigator Jakubec eventually finds a thread that will lead him to the correct solution to the case.

The story of two friends and managers of a mountain hut. The central theme of the film is nature conservation and environmental protection. Friends Mišo and Dušan, who love the Tatras, try to preserve "their" valley as one of the last corners of nature untouched by tourism. They do it with sincere enthusiasm, but only with the means at hand. They settle accounts with sneaky hikers.

Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.

At the centre of Peter Patzak's existentialist film noir stands the hopeless struggle against the arms mafia in Czechoslovakia and its connections with Austria after the fall of the iron curtain.

The son of a charcoal burner was once prophesied as a child to marry the daughter of a king. The king tries to prevent this by all means.

Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.

The dramatization of P. O. Hviezdoslav's epic is a celebration of the moral purity of the Slovak people. Through the trial of gamekeeper Michal Čajka, who is on trial for the murder of young Mr. Artuš, we follow in retrospect the events leading up to the trial.

A musical comedy about worries with basketball, violin and love.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.