Jan Kropáček

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

The year is 1943. The war is raging between the Germans and the Allies in North Africa. A truck with a Czech crew, Lieutenant Navara and six soldiers, escapes from the Foreign Legion fortress. Their aim is to reach the Allies and fight against Nazism. The truck is destroyed by a German army plane, which is hit by enemy fire in its turn. One Czech soldier dies in the attack, the driver is badly wounded, and Navara has serious burns on his face. The group has very little water and must reach an oasis that is 60 km away.

The plot begins in the Soviet Union showing first efforts to establish the Czechoslovak legion in 1942. The film also shows the assassination of Heydrich and the subsequent annihilation of Lidice. The main topis of the film is battles with German troops for Sokolovo.

Experienced StB investigators in the 1950s dismantle a terrorist action against the collectivisation of a village in the foothill village of Mezilesí. The screenwriter returned to the schemes that were common in our countries in the 1950s.

The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.

In the 1980s, the building themes were transformed into bipolar moral dilemmas involving overly ambitious individuals who wanted to excel at any cost. The hero is the head of a demolition crew that demolishes large buildings, initially a sympathetic young man who, in the pursuit of career and accolades, begins to transgress the boundaries of what was then called socialist morality and legality. He gradually finds himself at odds with the principles of ordinary but honest people. The narrative's bland, proclamatory film is closely connected to its time of creation, and there are hardly any more timeless insights to be found.

The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

An historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo on June 28th, 1914.

Five young people take off in a lighter-than-air machine at the Prague Centennial Exhibition. In an Art Nouveau style, the film consists of live action generally shot in black and white, as well as hand-drawn, stop-motion, and cutout animation. Various live-action and animated elements are often composited into the same scene.

To Moscow have arrived the participants of the international conference of the zoophilologists and also the international jury which is to elect for the world festival the best performance of the program of Moscow circus. Mrs Whistler (Iva Janzurová), British associate professor, makes her understood with the animals in their language but the Czech professor Ruzicka (Jirí Sovák), though he is capable of using the animals language, prefers teaching the animals the human language. Ruzicka's friend, the poodle Archibald, speaks "in Human" very well. The scientific dispute ends with a bet - if Ruzicka teaches the circus elephant to sing, Mrs Whistler will eat up her hat.

It is 5 May 1945 and the uprising against the hated German occupiers has broken out in Prague. The Czech guards open the gate of the Pankrác prison to allow the prisoners to escape en masse. Many of them are shot dead by the German guards but young Ruda (Jaromír Hanzlík) manages to run away. He is taken care of by one of the Prague fighters, concierge Kytka. Kytka hides him in the flat of the house's owner where only the young maid Karla (Jana Brejchová) is left, ordering her to take care of Ruda.

February 1948. The struggle of decisive social forces for the heart of Europe.

Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.

Set in a South Bohemian village, this faithful film version of Smetana’s opera follows farmer Krušina’s plan to marry his daughter Mařenka to wealthy Vašek. Mařenka loves Jeník, a stranger. Through matchmaking schemer Kecal’s plots and revealed identities, true love triumphs in a festive village wedding.

Grammar school teacher Bláha hurts himself in pursuit of a red lizard, and is lying unconscious in the lonely house of Santrucek family. The postman, who found Bláha's coat and hat in the water, announces to everyone in town that the professor has drowned. But, the venerable citizens are at that moment more interested in the theatre group with the beautiful guest actress Eva Gazdová. They demand a change of repertoire and manage to persuade the theatre manager to have the group play the musical comedy The Red Lizard instead of an established play.

An escaped inmate of a mental home, Franz Moose, has been found shot dead in the forest. In the course of their investigation, District Commander Havel (Jirí Adamíra) and Lieutenant Mares (Miroslav Zounar) slowly work their way through the complicated case. Havel learns from the employees' testimonies that Moose was facing trial for war crimes before he was finally sent to the hospital. There he shared his room with Kozdera, spent his time painting, and made several attempts to escape. Havel wants to interrogate Kozdera but the unfortunate patient gets killed before he can do so.

When a selfless king learns of a beautiful princess in a neighboring kingdom who callously turns down every suitor with an insult, he tries his luck to no avail. So, he hatches a plot with her father in which the princess is married to him, in disguise as a beggar, so he can teach her lessons about humility and compassion.

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

When a comet passes the Earth at close range, it pulls a small part of North Africa with it. Carried along are a bunch of people, among them Angelika, who has just escaped from a ruthless weapon dealer's ship, and her two brothers, who are searching for her. Then there's a group of natives planning a rebellion against the French colonists. All conflicts become secondary when the people finally realize that they're doomed to live together on an alien planet. However, this time of peace and happiness won't last for long...

At the turn of the 10th and 11th centuries Boleslav's kingdom fell apart in the fratricidal war between the Přemyslovci and the other clans the main profiteer of this being the German emperor. At that time it seemed as if the Czech state and the lineage of its princes was awaiting its end..." It is with these words that the tale of this film begins, whose narrative is based upon the the play by František Hrubín of the same name.

A fairy tale about how those who have a heart and are not stingy will not fail. The most popular hero of Czech fairy tales, besides the brave prince and the beautiful princess, is undoubtedly Honza, who is often not stupid at all, but on the contrary brave, clever, handsome and cheerful.

The photographer and his wife, a former beauty queen, make a living casting death masks. But their obsession goes so far that they decide to cast the face of a living person.

A remake of Vávra's 1948 atomic age thriller Krakatit. Engineer Prokop creates the devastating explosive “Krakatit” and soon confronts manipulative agents and imperialist conspiracies. Realizing his invention’s threat, he fights to prevent its misuse, risking everything to stop those who seek to exploit his epochal discovery.

Pan Tau always had a gentle expression and a friendly smile, he was elegantly dressed in a stroller, with an umbrella and a white carnation in the lapel. Foremost, he was famous for his magic bowler hat. By tapping on his hat, Pan Tau was able to change his appearance into a puppet, to conjure up miscellaneous objects or to do other magic. His most characteristically behavior is that he would help children who were experiencing some sort of difficulties in-between their dreams and reality, like finding a place for skiing, settling family problems on Christmas, and even give a boy a good time at a fair when he is supposed to have piano lessons. To adults, he usually remained invisible.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.