Rudolf Klein-Rhoden

Prison break. A murderer seeks refuge inside a barn.

The life of Marie Antoinette, Queen of France, during the years leading up to and during the French Revolution in which she was executed.

Hedwig and Lola, two sisters of opposite temperaments, have their lives upended in when Lola decides to pursue prostitution and Hedwig is forced into it.

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

When doctors fail to cure the young and beautiful Claire Raven, who for inexplicable reasons seems to have fallen under a spell, Professor Mors, an expert in the field of hypnosis, is called in to help.

The director and co-writer Lupu Pick plays musician Erik Paulsson, who loses his beloved son after a peaceful yet critical poetry reading is raided by the tsarist forces. Paulsson, beside himself with grief, kills the officer responsible and is sentenced to life, which will mean 18 years in prison before he is free again. While he is inside, by a strange quirk of fate, his daughter Karin falls in love with writer Sebald Brückner, the son of the state prosecutor, who indicted Paulsson and is a staunch advocate of the death penalty. The conflict between the fathers does not impair the relationship of the young couple. However, when Sebald’s long-desired success on the stage is threatened by a vengeful theatre director who had sexually harassed Karin, he is enraged and kills the other man in a fight. The prosecutor now must face the blow of losing his own son to the death penalty.

Gaston finally succeeds as a dramatist and decides to leave his wife and child for another woman. When the child dies, the finger is pointed at him and he winds up as a destitute before all is revealed. This film is considered lost.