Bi Gan

In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making.

Luo Hongwu returns to Kaili, the hometown from which he fled many years ago. He begins the search for the woman he loved and whom he has never been able to forget.

A visually splendid poem that provocatively but elegantly juxtaposes a poet, a singer, a river, a pair of murderers, and the Diamond Sutra.

Chen Sheng goes off in search of his nephew who has been abandoned by his father. Along the way, he encounters numerous people from his past and also those from his future.

An abandoned cat embarks on a journey to discover the most precious thing in the world.

In the 1990s, a group of students on the campus of the Chinese Southern Academy of Arts are pursuing their studies and preparing to face the world. China is opening up to the West and the students’ lives are a tangle of love stories and friendships, artistic research, ideals and ambitions brought about by new influences. Caught between tradition and modernity, they have to decide who they want to become.

While studying in college, Bi Gan finished his first work Nanfang in 2010.

Zhang Yinglong, who had been working alone in Beijing, returned to his hometown to visit relatives and learned that due to logging and coal mining, the environment in his hometown had deteriorated from once being a place of abundant water and grass to now being covered in yellow sand. Despite the opposition of his relatives, he resigned from his job as a deputy general manager and sold his house to return to his hometown to fight the desert. After experiencing difficulties and perseverance, he has now become a "national model worker" with green trees lining the streets.

The student debut from Bi Gan, a story about three men, their pasts and their fates. Bi Gan intentionally disowned and suppressed the film, refusing to allow it to be commercially released or circulated, subsequently establishing his critically acclaimed 2015 film Kaili Blues as his official feature debut. Since Bi Gan decided to bury Tiger, it has essentially become a piece of lost media.

From the music of French composer Evgueni Galperine, Chinese filmmaker Bi Gan crafts a story that harkens back to the phantom rides of yore as he constructs a visual poem befitting the propulsive composition. This short film is part of the 2x25 Project of Film Fest Gent and the World Soundtrack Awards. The project commissioned 25 composers to compose a short piece of music, after which 25 filmmakers made short films that are the ultimate symbioses of music and cinematography, fitting completely within the DNA of the festival. The result: 25 exceptional films where the music inspired the form, narrative and texture.

Roast is a Chinese stand-up comedy show. In each episode, an experienced celebrity with great interity is invited to be the "roastee" who will invite his or her friends to join the show and take the challenge of "roasting". The show is essentially a comedy performance in the form of talk show. Through the teasing and mockery among guests, the correct philosophies are conveyed in the hilarious moments.

This is a long-form, in-depth podcast hosted by Luo Yonghao, with each episode running three to five hours. We engage in extended conversations with figures shaped by the currents of our time, focusing on technology and the humanities—telling personal stories of fate and exploring the forces driving our era.