Diego Casanueva

Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.

Three theater students, influenced by a professor and French theorist Antonin Artaud's acting technique, begin to experiment with their own lives, searching for real emotions and situations to bring onto the stage. Their obsession with becoming better actors leads them to their darkest sides, surpassing boundaries that neither they nor their teachers could ever imagine.

A doctor and expert in ethics, Sergio Graf has to fight the Chilean health system as a patient when he gets Guillain-Barré syndrome. It is a journey toward physical deterioration, a loss of safety, and returning to something that he has until now taken for granted: his family.

Ana, wants her brother Andres to forgive her father, after years of distance. She must deal over and over again with all the situations that affect her dysfunctional family, while in silence, her own children coexist with abortion, drugs and indifference. Three conflicts over lack of communication and an unexpected end.

Ana is a young woman who has just been given a scholarship to study in a foreign country. She decides to celebrate with their friends out of the city. On the road, after helping an injured woman, they are kidnapped by a weird family.

Three friends seek a more entertaining and fiery sex-life with their partners.

When the woman he loves commits herself with another, Joe, a ridiculous huaso who thinks he is a cowboy, steals from him a valued horse in which he embarks on a journey where he meets singular characters who convince him to fight again for her.

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.