Torsten Spohn

Dima, a petty criminal, is in constant fear of his imminent deportation from Germany.This fear he compensated by carelessness. As he meets one day Sarah, who is working on a documentary about young foreigners, he becomes the main subject of the film. Sarah offers him shelter in her loft, and the two of them get emotionally tied up.

Hairdresser Annette is pregnant. Before her husband can explain to her why this is upsetting him - he is unable to conceive - he is killed. No wonder Annette just can't connect with the little creature in her womb: the fetus, a potential genius with all the makings of a top athlete, has been implanted and she is only supposed to carry it to term. When "communication" finally takes place between mother and child, the doctor wants to perform an abortion: The genetic engineering plot has been blown; but now Annette fights like a lioness for her baby...

Feature film.

Three actors - Lizzy, Marlon, and Ohboy - navigate city life between rehearsals, nightlife, and alienation. Marlon, new to town, struggles with his role and babysitting. Lizzy chases fame yet finds only transactional glamour in a club. Ohboy, adept yet trapped, drifts comically through urban traps. Linked by rehearsals for “City as Prey,” three episodes chronicle loneliness, friendship, and survival.

In 1988, the East Berlin homicide squad again and again encounters crimes that - according to the opinion of party leadership and state security - do not exist in socialism.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.