Sara Edwards

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Story of trailblazing American rock singer-songwriter Suzi Quatro, who helped redefine the role of women in rock 'n' roll when she broke out in 1973.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Follows the real life events of Gudinski’s life spanning a 50-year period, from starting his own independent record company to becoming a major international player and household name in Australia – a rollercoaster ride of iconic artists, classic albums and mega tours.

A Feature Length Documentary On The Making Of The Film Featuring Exclusive Interviews With Peter Weir, Hal & Jim Mcelroy, Patricia Lovell and much more

David Bromley found that art appeased the voices in his head and helped him find beauty in the world. So he made the life-changing decision to commit his whole being to something meaningful. Light after Dark takes us into the world of this prominent Australian artist. With intimate access, we peel away the layers of anxiety, phobias and suicide survival, whilst embracing the humour, energy, and love that is ever-present in the Bromley world. David’s journey is not complete without his wife Yuge and it’s through this powerful partnership that we witness firsthand the fragility of David’s world and state of mind. As the Bromley’s live their authentic lives, interviews with friends, critics and musicians add perspectives and insight on creative process, mental health, and commercialisation of art.

In 1986, Melbourne musician David Bridie of the groups Not Drowning, Waving and My Friend the Chocolate Cake travelled to Papua New Guinea, where he heard the heartfelt sounds of George Telek and the Moab Stringband’s ‘Abebe’ (‘Butterfly Song’) on board a bus. It marked the beginning of a profound fascination with the nation and its rich culture – and of a bond with Telek that would last more than 30 years.