Ljudevit Galić

The action takes place in a village where police investigates a murder committed because of an accordion.

The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.

The main character is a young man who lives with his poor mother in Zagreb. He holds no job and is barely making ends meet in the overwhelming post-war poverty. They have a tenant named John. He is constantly full of money, which, allegedly, comes to him from America. The plot develops when John suggests to the young man that they rob the safe of a person known as Compadre, the same man who sent very youngster to be shot during the war, but he survived by sheer chance...

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

Set in an unspecified country and an unspecified time period, the film follows a communist intelectual who, after travelling the world for many decades, decides to return and settle down to the place he grew up in, a small coastal village seemingly forgotten by time itself. With him, he brings news of the dawn of a new world on the horizon, with which he wishes to connect with through constructing a modern highway. This news is welcomed in the village, however, the construction of the road begins to bring out violent conflicts, reveals forbidden romances and ends up regressing the community even further into the darkness from which it wanted to escape.

A theater premiere of Timon of Athens ends with a rapturous applause from the audience, and Boris, the lead actor (Boris Buzančić), is congratulated for having played the role of his lifetime. Encouraged by the sense of his own worth, he starts a romantic affair with a prompter, spurring gossip in the theater. The ensemble embarks on a tour, but as their performances achieve more success, Boris is becoming less liked among his colleagues, and he begins to experience the fate of the character he is playing...

Melkior Tresic is one of many intellectuals in 1941 Zagreb who is helplessly waiting for the encroaching war.

The plot takes place in Croatia during and immediately after the April war in 1941. The protagonists are a group of soldiers of the Royal Yugoslav Army of Croatian nationality, some of whom will join the Ustashas and the newly founded NDH after the war, and some the anti-fascist movement.