Julia Moraes

In 1976, Gilberto Gil traveled to Lagos (Nigeria) with the purpose of participating in the Second Festival of Black Art and Culture. The event had the participation of approximately fifty thousand Afro-descendant and Diaspora artists. After the trip, Gil released the album Refavela. The documentary celebrates the 40th anniversary of this album essential album for the Brazilian Popular Music.

A group of young people is in a bar to drink, and they are trying to choose a story for the movie they are decided to make, but their characters are not very satisfied with the results of it.

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Two teenagers from opposite sides of town, with very little in common except for their passion for music meet in 1970's Rio de Janeiro, at the height of the military dictatorship _ and of Brazil's booming underground rock scene.

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

A young couple arrives on the train platform of Central Station, in Rio de Janeiro. In a flash, she disappears into the city chaos. Free adaptation of Vinicius de Moraes's play of the same name.

They say lies have short legs. If that’s true, the little thing sure runs fast! You’re guaranteed plenty of laughs and fun with this adaptation of the film *O Auto da Boa Mentira*, based on humorous short stories by Ariano Suassuna.

The original Canal Brasil series is based on chronicles by writer Xico Sá. The focus is on modern relationships, taking as a starting point the love misadventures of journalist Quincas.