Lynn-Maree Danzey

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

The buttoned-down, superstitious Kay is attempting to lead a normal existence with her new boyfriend Louis. That’s until Sweetie, her rampaging, devil-may-care sister, returns home after an absence, exposing the rotten roots of their family and placing a strain on Kay and Louis’ relationship.

Three people, including a pregnant woman, embark on a yachting excursion during a hurricane.

A champion high school rugby player has a secret desire to be a ballet dancer, having spent 11 years in ballet school. Seizing an opportunity to audition for a local company's presentation of "Romeo and Juliet", he nonetheless fears what will happen to his reputation if the other kids in his school find out. Adding the practices to his already burgeoning schedule quickly starts to create problems with his friends, his teachers, his coach, his play director, and his ballet partner. Of course, it all comes together on the stage of the Sydney Opera House.

BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.

Fear of an unidentified livestock predator unites an Australian couple, an outcast, and an abandoned woman.

With his distinctive voice and unusual view of life, Harris takes us through his story: a harrowing journey of humour, grief, resolution and redemption. Harris, as a child of five, sits underneath his house amongst the cobwebs making 'sugar' by pounding sandstone rocks into fine grains and wrapping them into bags. Harris at 17 falls in love with Helen and when a tragic accident leads to a breakdown he ends up at 'The Cottage'... Thrust up against the lives of other innocent victims, Harris begins to make sense of his own guilt, grief and the secret of his past.

A first date: he shows up at her flat, several stories up in her building. She's finishing getting ready, so she introduces him to her dog, which loves to fetch a small red rubber ball with blue stars. He tosses the ball to the dog a few times, somewhat distractedly, looks through a book ("Do I have to be me?") on her coffee table, opens the French doors to her balcony, sits down and continues to toss the ball. It takes a deadly carom, but when she emerges from her bedroom ready to go, he stays mum. Outside the building, a crowd has gathered. Will he tell her what happened, or leave it for her to put together? Is there any way out for him?