Ahmet Açan

The comical story of Şaban, who came to Istanbul to earn his dowry and, by chance, became a famous folk singer known as Şaban Ballıses.

The film tells the story of a young man who contracts a terminal illness and becomes a commercial star. Zeki supports his family by driving a taxi. After being hit by a car, he is taken to the hospital for examination. His friend Metin learns that Zeki has contracted a terminal illness. The businessman who hit Zeki includes him in an advertising campaign. Believing that everything is for a good cause, Zeki agrees to portray a young man on the brink of death in the advertisements. Despite the advertising campaign gaining significant attention nationwide, things will not unfold as the banker had anticipated.

Fuat is forced into an "advantegeous" marriage to a rich girl due to his family financial lowness. He, however loves another, Aysel. After he loses his best friend, Bedri, to suicide, he rebels against the system with heartbreaking results.

Sevtap and Adem, the postman in the neighborhood, are in love with each other. Sevtap remained single until the age of 30 because no one liked her, so she is still a virgin and has settled for Adem. However, there is someone who opposes this love, her older brother Latif, who was raised in German culture but can be described as a complete fool. One day, Sevtap and Adem send a telegram from Sevtap's father's mouth to convince him to accept the situation. After this telegram, wedding preparations begin. However, during this time, Latif returns permanently from Germany to Turkey, and the truth about the couple is revealed. Latif opposes the marriage at any cost, even if it means harming Adem. Later, despite his reservations, he accepts the marriage and fulfills Adem's every request.

A woman is searching for a face in photographs taken by a photographer. The face she hopes to meet one day belongs to a watch repairman, but the shop has long since closed.

Hilmi Tok is a billionaire businessman. He dies one day while driving his own car. His real estate assets goes his son Bayram.

Ahmet Bedevi, also known as Tarzan of Manisa, was born in 1900 in Baghdad to become a soldier, fighting in the War of Independence and honored with a medal. He returned to a ruined and destroyed Manisa in 1923. Bedevi started working at the Municipality as a fireman and a gardener. He became the pioneer and symbol of planting activities. Because of the soft climate of the area, he first wore a vest and trousers and then he started wandering about in the town in his shorts. The people of Manisa saw his resemblance to Tarzan because of his clothes, and always cherished him with love. Tarzan of Manisa lived in the mount Spilylus, ignoring all his individual needs but working for a greener environment. He died on 31st May, 1963. However, he has never been forgotten by the locals; on the contrary, he was immortalized for the things he did for Manisa and people followed his example.

Niyazi is a humble factory worker whose life is turned upside down when he wins the “altılı ganyan” (six-horse accumulator) lottery. Suddenly, everyone from neighbours to total strangers, claiming to be his long-lost relatives, crowds around him hoping for a share of his fortune. Thanks to his quick wit, Niyazi manages to outsmart these opportunists and keep his winnings.

Kerim lives with his family in a rent house for years. One day his landlord tells him to look for another house or raise the rent money.He finds a house by the help of Sühandan whom he works together and in love.

This is the story of the politician named Zübük. He gets expelled from the political party that he is a member of, due to corruption. The journalist Yaşar wants to make a news story about his case and investigates Zübük's doings. Yaşar gets baffled at the sly tricks Zübük played on his village people. In the end, he feels sorry about Zübük's present situation, however, as things happen he becomes aware that Zübük has been tricking him.

Ali, who looks exactly like the famous actor Kemal Sunal, is in love with his neighbor Zehra. However, Zehra, who is a fan of Kemal Sunal, does not reciprocate Ali's love. Despite Ali's insistence, she rejects him. Ali will temporarily take Kemal Sunal's place in order to be with Zehra.

Ali, an honest and honorable man, moves to Istanbul when he is transferred there. He moves in with his sister Hacer and brother-in-law Yakup. Yakup's niece Ayşe also lives in the same house. From the day he starts his job as a civil servant, Ali reacts against the swindlers and bribe-takers around him. As a result, his boss and other civil servants become uncomfortable with the situation. When Yakup runs away with the money he collected to build a mosque, Ali and Ayşe are left alone. Not wanting to leave each other, the two get married. Ali is fired from his job for preventing the civil servants from taking bribes and goes to the village with Ayşe. Yakup, who has fled to Istanbul, calls Ali and Ayşe to join him at his insistence. Ali and his family, who go to Yakup's side out of desperation, will never be able to escape their troubles.

She works as a factory worker alongside Şaban Ali. One day, they are fired for asking their boss for a raise. They search for work for a long time but cannot find any. Necla tells Şaban that it is easier for women to find work, and the couple make a bet. The next day, Necla starts working as a secretary. The roles at home change. Necla becomes the man of the house, and Şaban becomes the woman of the house. However, the couple is unhappy because of Necla's long working hours.

While the dam project will be expropriated, Yellow poplar and Long poplar villages are included in the expropriation. Although this is supposed to protect the confidentiality, a member of the commission sells this information to a holding company and someone in that holding company sells what they heard to another holding company.

A Turkish crime film.

Mahir and Gülsen's daughter Çiğdem and Basri's son Uğur are married and expecting a child. They invite their families over for dinner to share the good news. After dinner, Çiğdem and Uğur announce the news, and everyone is happy except Mahir. Gülsen wants to bring Çiğdem to their home to take care of her during her pregnancy, but Mahir objects. The two families meet again at the children's home. Basri wants to build a house for his children and have them live close to him, but Mahir objects to Gülsen's insistence. However, the children refuse because they have already moved into a house through a cooperative.

The first sequel to KILINK ISTANBUL'DA picks up right where the 1st installment left off. Superman manages to locate Kilink's hideout on a remote island where his fiancé and her father are being held behind bars. Meanwhile, Kilink's scientists finally manufacture a lethal destructive canon-like weapon that is able to blast away even portions of mountains.

Born out of a Christmas ornaments-filled heaven, Turkish Superman fights the mob in order to save the day!

Ismail (Aytac Arman) is the educated Turk who travels to Asia from Istanbul to escape crushing unemployment in this somber social drama. With an ailing mother-in-law, a bitter wife, and a pretty young daughter to support, he takes a job as a dog killer. Ismail is saddened to see young women his daughter's age forced into prostitution. When he returns home to ask his father and brother for an advance on his inheritance, his wife leaves him. The enemy in question refers to unemployment.

Kilink visits Istanbul to grab a destructive formula which is in the hands of an once-collaborate scientist, Professor Houloussi. He murders him, kidnaps his daughter, tortures her in some gloomy dungeon, and then kidnaps more people and tortures them but still, the formula remains hidden. Meanwhile, the son of Professor Houloussi is blessed by a Devinne spirit and turns into Superman! But will he be a worthy opponent to the unbeatable and evasive master of all criminals, Kilink?

It can be considered a pioneer of absurd comedy on Turkish TV channels. It has a very original script and a warm atmosphere. It has a structure that is never tiring to watch, and it leaves behind a considerable legacy of subtle and high-quality jokes for future generations.

A TV series adapted from Tarık Buğra's novel "Osmancık" telling the story of the founding of the Ottoman Empire.