Vladimir Tagić

Zoran’s awkward, almost pointless life—which features a pothead roommate, an unavailable ex-girlfriend, and a job on reality TV—is turned upside down when his estranged and intolerable father is diagnosed with a terminal illness and Zoran commits himself to helping him through his final weeks.

27-year old Vlada is moving to Belgrade from his little hometown, and he spends the last night with old friends. The night brings too much, and evokes inner struggles of all of them...

A young couple is living at his parents' apartment. Frustrated at not being able to provide for themselves, they fight. She decides something has to change.

Mr. Stojanovic got his first aid kit stolen... Petar is smoking out the window of his rented room... Mr. Ivanovic has a hearing problem... Luka and Marko are getting into a fight over a football game... Mr. Filipovic is sent by his wife to buy groceries...

Mile, a runaway boy from the orphanage, spends his days and nights on the streets, begging for money and food. Cast out and alone, he manages to get close with a group of boys living on the streets. His desire to belong somewhere gets him involved in a turn of events he could never imagine.

Follow heroes who are on the threshold of middle age, focusing on that moment of their lives when their "youth" and all the illusions they clung to finally give way to decisions and obligations that require maturity.

Lack of money, inability to find a permanent job, living with parents or roommates, unsettled love relationships — this is how the life of most young people in Serbia could be described. Through the four friends' struggle with the life challenges, the series also tries to evoke the spirit of Belgrade today: it talks about those who live in it, those who leave it, but also those who return to it.

Belgrade, 2003. When Serbian Prime Minister Zoran Djindjic is assassinated, the country plunges into chaos, and the authorities' response is to introduce a state of emergency. A turning point in recent Serbian history through the perspective of a journalist, a police officer, and a criminal.