Julia Zakia

A young couple spends the night in a motel room in the Brazilian Capital. Amid drugs, drinks, money and whims, they mimic a marriage cerimony, triggering the violence between patriarchy and the Brazilian political elite.

Neirud died shrouded in mystery, leaving behind no trace of her past. Confronting family secrets, the filmmaker pieces together the life of her enigmatic aunt, who toured Brazil as a wrestler in an underground all-female circus troupe throughout the 60s and 80s. As she investigates Neirud's controversial ring persona, Gorilla Woman, the filmmaker uncovers a taboo-breaking love story, revealing the surprising nature of Neirud's role in her own family.

Sandra returns to her cousin Mariana’s house in search of a photo of her late mother, who worked as a live-in maid for Mariana’s parents. Although they were raised together, Sandra, a dark-skinned Black woman, and Mariana, a light-skinned Black woman, experienced that house in vastly different ways. Their reunion forces them to confront long buried memories, issues of race, family, and belonging, while a supernatural force lurks around them.

In a dark room, fantastic beings appear like specters from an old cinema. Frightened, the insomniac is the only one to witness the cyclical nocturnal spectacle.

A short film that shows the encounter and love between three women of different ages and backgrounds. As they build a new way of being together, Etna, Nadia and Indigo, in their intimacies, fears and memories, live a volcanic story.

Guigo is in love with Sabrina, with whom he exchanges messages through his cell phone. He is the son of separated parents. One day he and his friend Túlio travel to a fishery with their father, Roberto, and his friend, Paulo.

21 sequence shots depict moments in a defining night of the Battle of Rua Maria Antônia, in October 1968, from the point of view of the students and professors of the Left-wing Student Movement, in the Philosophy Faculty building of USP.

When Rita fulfills her dream of becoming the carnival queen of a samba school she will have to fight against the dark forces of her internal and external world.

In the 1980s, the musical and futuristic teacher Clara Celeste arrives at a school surrounded by bullying problems driven by issues of ethnicity, sexuality, gender, physique, and behavior. With the teacher's help, a group of students are finally able to find their voice and experience empowerment, with the freedom to live as they wish. Despite this, prejudice still surrounds the school, always seeking to intimidate the students. To win this battle against intolerance and censorship, the group will need to stick together and believe in the power of change.

Chiara is the matriarch of an Italian-descendent family torn apart. After her youngest son moves out, she decides to go along with Alfredo, her husband, on his trips as a salesman in the bars of Serra Gaucha. Their trust in each other breaks down when Chiara finds out about Alfredo's life on the road and he realizes she hides something too. A turtle and decks of cards with put their fifty-year relationship to the test.

During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?

The film documents the construction of political thinking of the newest candidate for the presidency of the Republic of Brazil by the female PARTY, the actress Georgette Fadel, from her relationship with an unusual troupe of ten people who accompany her on an initiatory journey in search of hers greatest reference, Pepe Mujica, in Uruguay.

A gypsy girl travels across the vast lands of Brazil to save her long lost childhood friend from a violent countess who drinks the blood of young women.

Two girls run away from the police after the Women's March. In the midst of violence, they find a way to live their desire.

"Why is it that I've never lived in one sector definitively? Because I feel bad. I feel bad about the air of one place." Tarabatara is a call to daily life and the charms of a gypsy family from the hinterland of Alagoas. The documentary captures moments of a period of pause in the nomadism of these gypsies. In the figure of the eldest and their memories, in the women and children of the group, with their speeches and gestures, with their looks and tasks.

It’s dripping through the ceiling, the space for sleeping is scarce. Under poor living conditions, a young mother handles everyday life with her two daughters in the Brazilian suburb as best she can. When they unexpectedly acquire a load of frog legs, this gives rise to a celebration that will not soon be forgotten.

A generation reminisces about its own memory — what was it like to be a queer man in decades past? With São Paulo in the background, they reflect about the urgency of a life that was kept hidden for so long. And it is at Bailão that these various stories converge.

The documentary shows the experience of women who experienced abortion in four public hospitals in Brazil, and addresses motherhood, affectivity, intolerance, loneliness and the issue of illegality.

Eneida, 83 years old, makes a journey into her past, in search of her firstborn daughter, whom she has not seen for over two decades.