Caroline Gillis

A group of women in an isolated religious colony struggle to reconcile their faith with a series of sexual assaults committed by the colony's men.

One year after his young son disappeared during a Halloween carnival, Mike Cole is haunted by eerie images and terrifying messages he can’t explain. Together with his estranged wife, he will stop at nothing to unravel the mystery and find their son—and, in doing so, he unearths a legend that refuses to remain buried in the past.

A depressed woman battles with her mother and abuses alcohol following the suicide of her husband.

A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.

Two ex-revolutionaries living underground have their lives turned upside down by a sexy young radical who goes from smashing SUVs to fighting gentrification with firebombs.

Jack is trying to learn how to scream but can't because of an early childhood trauma. Mikki is increasing her pain threshold so she'll feel more in control and won't feel compelled to scream. Doreen has no problem screaming but feels unheard. The static builds until relief is finally served on the tip of an exquisite bowie knife belonging to Tuna, who wants it back. Set against a backdrop of knife throwing and inflatable breast implants, Screamers is a film about screaming: wanting to scream, not wanting to scream, wanting to be heard - breaking the sound barrier.

Joe is a twenty-something gay man who decides to film people he meets on the street with a camera given to him by his boyfriend.

Book of Knives is based on seven psychiatric case histories dating from 1905 up to the present. These stories are linked through the interrogation of a modern day woman, Iris, who has murdered her plastic surgeon. “Book of Knives” is a short history of women, technology & madness in the twentieth century, and calls into question both the ethics and methodologies of western scientific enquiry.