Paul Bühlmann

A poor family with 6 kids that live in a ramshackle hut are suddenly offered a nice flat for cheap - with the landlord hoping they'll drive away their new neighbors whom he wants out of his building.

Love and friendship, lies and betrayal - comedies often deal with existential themes. But not always. Sometimes everyday life is enough to pick up an audience and entertain them. The audience suddenly sees themselves as experts who can give an informed opinion on what is happening on stage: In the case of "Pantoffelheld" from 1983, it was probably primarily housewives, ironing men were rather the exception back then. Among them was the newly minted househusband Daniel, who struggles with an ironing board and creased jeans. Paul Bühlmann as his buddy Georges does a much more confident job.

In the forest of Hablikon, the administrator Reichle is found shot dead. He had gone hunting with three other respected citizens of the community. Detective Sergeant Müller takes charge of the investigation. The first suspect is the nephew of one of the hunters, who was also at the scene at the time of the shooting and was on parole from prison. With no clear motive, Müller focuses his attention on the honorable and irreproachable fellow hunters. Their clean facade begins to crumble during his investigations. Village doctor Amsler, banker Meier, and architect Häuptl all had something to hide. Reichle knew about their private and business misdeeds. Müller also learns from Alvine Dünki, the dead man's lover, that money from the community coffers was used for the four men's entertainment. The murderer is convicted after the crime is reconstructed.

SVP National Councillor Arthur Aebi has checked into the Parkhotel for a fling with SP secretary Anita Fröhlich. But when they go to admire the view, a dead body is found on the balcony. As nobody is allowed to know about the meeting between Aebi and Fröhlich, the body has to disappear. Aebi calls his secretary Willy Waser, who then gets involved in the whole mess, not entirely voluntarily.

A car crashes, an expensive drill goes missing, systematic theft occurs in the department store, a murder happens. Police officer Wäckerli has his hands full and eventually even finds himself in mortal danger.

Oscar Bänz is a solid, middle-class taxi driver and widower. He loves his daughter Irma with all his heart. In order to provide for her, he has not remarried. Irma, a quiet, intelligent young woman, is studying medicine. To finance her education, Bänz rents a room to Toni Schellenberg, a young man from the countryside with a promising future as a soccer player. But the big city, easy money, and superficial friends cause Toni to neglect his training and evening classes, and eventually his employer fires him. Irma, who has fallen in love with the handsome athlete, asks her father for help. He is finally able to find Toni a job as a taxi driver. But when Irma attends a student party and also agrees to a date with the senior physician Dr. Zbinden, Toni feels neglected.

In a run-down hotel, only one room with two double beds is still available. The head porter, a former foreign legionnaire, and the shady hotel manager have double-booked this one room. First to an exhausted couple and then to a sales representative who is expecting his mistress, a dancer. But on this very day, his wife visits him as a birthday surprise. So now there are two couples and a dancer in one room, and even the pull-out folding screen is no solution. Everyone discovers a stranger, half-dressed, almost dressed, in the bathroom, in the beds, in the room.

Cab driver Hugo Meier is married to two women and lives at two addresses. He therefore lives according to a precise timetable. This has worked well so far. However, Hugo has an accident and can't get home. The two worried wives contact their police stations and ask for help. Two officers immediately do their duty and investigate. Hugo is now in dire need of help. With the not entirely voluntary help of his friend and neighbor Oskar Stöckli, Hugo leads the officers and the wives into a labyrinth of fantastic excuses and ludicrous lies. Harmless wives are transformed into hysterical bitches and well-meaning friends into hot-blooded, gay seducers.