Hong Sang-soo

Directing

Hong Sang-soo

Born October 25, 1960 · Seoul, South Korea (age 65)

Hong Sang-soo (born October 25, 1960) is a South Korean writer-director. He has directed 35 films as of 2026. Certain elements are commonly found in Hong's films. A typical Hong film highlights a theme of domestic realism with many of the scenes set on residential streets, cafes, hotels, schools, and in the stairwells of apartment buildings. Characters are seen walking around the city, drinking s…

Known For

The Woman Who RanThe Woman Who Ran · 2020
The Woman Who Ran
6.62020
MovieDrama
While her husband is on a business trip, Gamhee meets three of her friends. She visits the first two at their homes, and the third she encounters by chance at a theater. While they make friendly conversation, as always, several currents flow independently above and below the surface of the sea.
On the Beach at Night AloneOn the Beach at Night Alone · 2017
On the Beach at Night Alone
6.62017
MovieDrama
In a foreign city, an actress wanders through a seaside town, reflecting on her relationship with a married man. How important is love in one’s life? Younghee wants to find out.
Claire's CameraClaire's Camera · 2018
Claire's Camera
6.22018
MovieDrama
The story of female friendship as Frenchwoman Claire helps the subject of her photograph, Min-Hee, discover why she was fired without apparent cause.
The Day She ReturnsThe Day She Returns · 2026
The Day She Returns
5.92026
MovieDrama
​Having stepped back from acting after marriage and a subsequent divorce, actress Bae Jeongsu returns to the profession with a role in an independent film. As the film’s release approaches, she takes part in a series of press interviews, only to discover later, when asked to revisit those moments in her acting class, that she cannot clearly recall what was said.
Nobody's Daughter HaewonNobody's Daughter Haewon · 2013
Nobody's Daughter Haewon
6.52013
MovieDrama
Facing her mother’s departure and the weight of a secret affair with her professor, college student Haewon drifts through a series of encounters and dreams, blurring the lines between her desires and reality.
Right Now, Wrong ThenRight Now, Wrong Then · 2015
Right Now, Wrong Then
7.02015
MovieDramaRomance
By mistake, film director Ham Chunsu arrives in Suwon a day early. With time to kill before his lecture the next day, Chunsu stops by a restored, old palace and meets an artist named Yoon Heejung. Together, they go to Heejung's workshop to look at her paintings, have Sushi with Soju for dinner, and get close. Later, they go to another café and have more drinks with Heejung's acquaintances. When asked if he is married, Chunsu is forced to reveal the fact that he is, and Heejung gets deeply disappointed...
The Day a Pig Fell Into the WellThe Day a Pig Fell Into the Well · 1996
The Day a Pig Fell Into the Well
6.41996
MovieDrama
The lives of 4 interconnected South Koreans – a married couple, a novelist the wife is having an affair with, and a second woman the novelist is simultaneously involved with.
A Traveler's NeedsA Traveler's Needs · 2024
A Traveler's Needs
6.52024
MovieDrama
Iris, a woman abroad in Seoul, teaches French and English in an idiosyncratic fashion that allows her to pursue her own philosophical and personal interests. Through four encounters over a single day, Iris probes students and strangers for information about poetry, their own histories, and their relationship to their egos.

Filmography

Sort
Our SunhiOur Sunhi · 2013
Our Sunhi
6.52013
MovieRomanceDrama
Sunhi, a film major graduate, visits her school to ask her Professor Choi for a recommendation letter to study in U.S. Knowing the professor favors her, she expects a good recommendation from him. Out from her shell after a long time, Sunhi also ends up meeting two men from her past: Munsu, her ex-boy friend, and Jaehak, a director who graduated from the same film school. Through the encounters between Sunhi and the three men, they give each other an 'advice on life' with good intentions. The three men who all have strong interests in her are led to guess and define her, unable to tell how she really feels inside. Strangely, the mentioned advices and traits of her are similar and seem to pass from one person to the next. The words of 'advice on life' seem doubtable and slip away as the three men's thoughts on Sunhi become more and more irrelevant.

Writer