Dirce Migliaccio

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

Ivan Canabrava is a writer, turned insurance ivestigator who investigates mysterious deaths involving Bufo Marinus. Bufo Marinus is a frog poison causing catalepsy in humans, simulating death, enabling grand insurance fraud and other crimes. Ten years later, now as a successful writer, similar characters possibly using Bufo Marinus reappear and create an intricate plot full of surprises.

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

It tells the story of a girl being abducted by the evil pirate with a wooden leg.

Kika, a math teacher, accidentaly becomes a child again after eating a magic cupcake. This leads her in a journey of self-discovery, while also helping Juju, a 10-year old girl chasing her dreams.

Brazilian comedy in two segments. 'Theft of the Panties': Four friends are broke during Christmas. Genaro decides to rob a brothel because he thinks that the victims won't call the police. To get to know the place, one of the friends, Alfredo, disguises as a woman and goes there with Genaro. They set up a plan and then return to execute the robbery. 'I Love Cod': The owner of a bar in the suburbs, the Portuguese Manuel, wins the sports lottery. Three mechanics find themselves wronged for having almost won the prize and abduct Manuel's wife, demanding ransom. Manuel refuses to pay, as he finally got rid of his wife and can now win the woman of his dreams. Knowing this, the wife collaborates with the kidnappers to reverse the plan: Manuel will have to pay the ransom if he does not want to see her again.

Two jumbled and coward drivers join a rich family that moves to an ancient castle inhabited by a resented, but friendly ghost.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

A young female fugitive escapes from a juvenile institution (the Child Assistance Service) and joins a group of poor beggars with the intention of finding a potential partner to marry in order to avoid her return to that place.

In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.

The stories created by Monteiro Lobato take place at the "Sítio do Picapau Amarelo" (Yellow Woodpecker Farm), where various characters experience magical tales and star in unforgettable adventures.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

O Bem-Amado is a Brazilian telenovela that first aired on Rede Globo in 1973. It is based on a play by Dias Gomes called Odorico, o Bem-Amado ou Os Mistérios do Amor e da Morte, written in 1962. It was the first Brazilian color telenovela. It was shot in Rio de Janeiro. Broadcast by Rede Globo between January 22 and October 3, 1973.

To avenge his father's death, Otávio wants to take over a party catering business called "Marron Glacé," but ends up falling in love with Vanessa, the daughter of the current owner.

Mário Fofoca, a bungling detective, moves to Rio and, with the help of a friend, investigates cases—starting with a wife's suspected infidelity.

The Night Shepherds universe is inhabited by prostitutes, priests, rogues, saint's parents and street vendors. For a very Brazilian people who fight every day for survival and only rely on the solidarity spirit and friendship of each other. The seductive Cabo Martim, the romantic Curió, the noble Massu, the artful Foot of Wind and the Jesuit master live their adventures in four independent episodes, which are completed in their poetry and the strength of each story.