Gyrd Løfquist

Martin, a law student, takes up a job as a nightwatchman at a mortuary to fund his studies. But the mortuary harbours a dark secret, and he has to find the truth before he is implicated in a serial murder case.

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...

The film is about a man (played by Jens Jørn Spottag) who is involved in a series of trouble and sinking deeper every time he tried to cover up the previous problem.

Sabotage of a Nazi factory is carried out by the husband of the lover of a resistance leader.

Farcial action fun with Bertil and Hugo, who do menial jobs at a big city hotel. Bertil is about to marry and has put money aside for his bride's morning gift. Only Hugo has kind of borrowed the money and blown it all on a wrong bet in a pigeon race. Together, they obviously have to get rich quick. When a diamond seems to be lying around for the taking, the hotel is virtually on its head.

A drama about a boy who's inspired by Dr. Martin Luther King Jr. and challenges repressive school authority in 1969 Denmark.

A good natured soldier with a killer right hand falls in love with a beautiful girl who has a troubled past.

Kjeld Petersen plays a merchant who has stolen his clothes when he is out take a dip in the Sound. He stopped by the police, and they find a call to military service in his pocket, after further complications lands him at the barracks, where he came under the loving care of 66 (Dirch compatible) and 65 (Ove Sprogø). So the stage is set for lots of fun and games, in the right old style.

About a businessman who murders his stepdaughter after having an affair with her. A crematorium worker who secretly sells coffins to an undertaker discovers two bodies in one of the coffins one day. He suspects what has happened and tries to blackmail the murderer for money.

In 1218 Danish king Valdemar sends his homonymous young son and heir in safety, as war is at the borders, to Erskil, the bishop of Ravensburg, who is instructed to see to the prince's education. Alas the bishop is the brain of a conspiracy to seize the crown for himself, as most of the nobles are dissatisfied with the endless wars that bring them no profit. The prince and kitchen-boy Aske accidentally fall out of the castle and overhear the conspirators, but are seen and pursued by the men of the One-eyed Man, a feared mercenary who is in the conspiracy to take mortal revenge on the king for leaving him behind on a battlefield where he lost an eye which was eaten by an eagle, which he tamed and now shares his sight with. Written by KGF Vissers

A suspense tale revolving around the memories of a Danish saboteur as he awaits his execution in a German war-time prison.

Morten Arnfred's warm comedy Lykkevej (Move Me) begins with Sara (Birthe Neumann) being left by her husband of a quarter century. Sara gets a job and moves into a new home on a street populated by eccentrics. Neighbor Robert (Jesper Lohmann) showers in his backyard, has been in mourning since his wife's death, and annoys his neighbors by keeping junk on his front yard. Sara and Robert tentatively strike up a relationship, while a couple on the street, Sus and Bo (Ditte Grbl and Asger Reher), have their own marriage issues to deal with. Move Me was screened at the Gothenburg Film Festival.

Early morning. A young couple enters their apartment after locking themselves out. The home is completely empty and dark, and there is no sign of the family who had been their neighbors for years. The lights don't work, and when they finally manage to light a match, they see the body of the old girl slumped in an armchair.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

Four young men, Henry, Toft, Tam, and Klausen, take the train to Maribo, ending up at the prison gates. All four are serving sentences for drunk driving. They are a little embarrassed, but each has a good explanation for the "accident." They are "almost innocent" and therefore entitled to make the best of their voluntary "vacation."

It cannot be said that the two actors Kurt Karlsen and Valdemar Hansen are particularly successful. The audience often has to ask them to stop, and financially things are not going well either, so they have to flee from their hotel bills. In a provincial town, Professor Andersen has just died, and when the two actors arrive in town at the same time, they are mistaken for the professor and his assistant and are given accommodation at one of the town's hotels as guests of honor. Then events take a turn for the worse. A bank director, a lawyer, and a contractor are very eager to see the late professor's invention continued, as the formula was lost when the professor died. Who will win in the end? The suspicious businessmen, the two actors, or two young people who love each other? And how many times will bank assistant Johansen lose his job?

Honor, morality and the "right" outlook on life are paramount. And these concepts were by no means something to be made fun of, which can be somewhat annoying when you remember that this film is based on the English play "Bank Holiday", which took a good English fart on virtues and morality. Inger Holst is a nursing student who, at a party, meets the unreal Jørgen Frandsen, who invites her to a "festive night" one weekend at a hotel in Tisvilde. However, a tragic incident occurs at the hospital where she works. The incident involves the young widower, engineer Berg, whom she has come to know as a fine, real and sympathetic person. Inger's compassion makes her offer to give up her weekend trip and stay with him.

One Saturday evening, Trine prepares dinner for her boyfriend Hans. Unfortunately, Hans is delayed, as on his way between Frihavnen and Valby, he encounters a series of individuals whom he feels compelled to wait for in various ways. Back at the club apartment, Trine decides to transform the romantic dinner into a kitchen party for her friends.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

Per is a traveling man who makes a living setting up new campsites—financed by a rather clueless telephone company and a gawking power plant. Søren has been in prison for eight years for bank robbery—but now he is free and ready to retrieve the buried money. To his great despair, he sees the campsite right where the loot is buried. Together with his greedy girlfriend and her four children, he tries to come up with a plan – but it will take a lot of imagination to get hold of the money.

In Nørrebro, in a property ripe for redevelopment, only one family remains: the Hansens. With Elvis as the head of the family. A welfare recipient who, sitting on the sofa with a beer in his hand, can fix the whole world situation, and Herdis Hansen, the all-embracing wife who provides electricity for her husband's TV and strolls around in a fur coat "given" to her by their son Brian. Despite the king's bailiff Kjeldsen's countless attempts to evict the Hansen family, Elvis manages to fend him off every time. To get them to move, he is offered director Knudsen's new headquarters, a villa in an affluent neighborhood in Charlottenlund, as a temporary solution.

TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

Strisser på Samsø is a Danish television series in 12 episodes, written and directed by Eddie Thomas Petersen. Produced by Per Holst Filmproduktion, it was first broadcast on TV2 in 1997-1998. The story tells how Christian Torp, a police officer who has lost his wife in an unsuccessful robbery, brings his daughter Sille to the Danish island of Samsø looking for peace and quiet. They have difficulty in integrating into a society full of problems where everyone knows everything about everybody, but they find a friend in Ulla, a secretary. Among others, it stars Lars Bom, Amalie Dollerup and Jesper Milsted. The series was entitled "Island Cop" when broadcast in subtitled form on Ireland's TG4 channel.

A road movie that tells the story of two very different young women, Charlot and Charlotte, who meet by chance and end up driving together across Denmark from Copenhagen to Skagen. Along the way, they meet a wide range of very different people, from the senile Birksted to the psychopathic mass murderer Poul-Teddy, to a theater troupe and the elderly residents of a nursing home run by a headstrong matron. The naive and provincial Charlotte learns spontaneity from the smart city girl Charlot, while Charlot, in turn, learns from Charlotte to appreciate the experiences close to home.