Nicolas Lormeau

At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.

Budapest International Chess Tournament. The most likely winner: Cal Fournier (22), French champion, immature genius, socially awkward, compulsive player. But this time, an unusual 9-years-old Hungarian opponent disrupts this smooth-running routine.

With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.

Albert, a sound engineer who is chronically hesitant successively meets three charming young women who will, each in their own way, provoke and help him to get a better hold of himself.

Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.

Sganarelle is obstinate. He categorically refuses to allow Clitandre to marry his daughter Lucinda. To get around this obstacle, she develops a stratagem, with the help of Lisette, her maid. She feigned illness, forcing her father to call in doctors who proved incompetent. The servant then proposes an outstanding doctor, who is none other than Clitandre in disguise... This comedy-ballet in three acts, written to music by Jean-Baptiste Lully, was the first play that Molière's troupe staged as the king's troupe, in 1665. It was followed by another short play: The Sicilian or Love Painter. Cover: On the left, Clitandre, in the centre Lucinde, on the right Sganarelle.

Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

In the 1960s, orphans from Reunion Island were deported to France to repopulate a department where rural exodus was rampant.

Written in 1760, Carlo Goldoni’s comedy has never been performed at the Comédie-Française, perhaps overshadowed by the famousHoliday Trilogy. A satire of the Venetian merchant class, embodied by narrow-minded, complaining and intolerant men whose mistrust of the fairer sex borders on the absurd, The Boors perfectly illustrates Goldoni’s theatre, a “theatre of life with a real content, characters observed in reality, and a natural expression.” Thus, a theatre in which the man Voltaire described as “nature’s son and painter” scrutinises his contemporaries, their relationships and their social behaviour. His work served to entertain while providing posterity with an acute testimony of the morals of his time. Indeed, Jean-Louis Benoit warns against reducing the author to a simple “photographer of reality”.

Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.

Theater director Thomas Ostermeier stages Bertolt Brecht and Kurt Weill's timelessly magnificent "Threepenny Opera" with the ensemble of the Comédie Française in Aix-en-Provence, based on a new translation of the original text by Alexandre Pateau. In London's underworld district of Soho, the beggar king Jonathan Peachum and the criminal Macheath, known as Mackie Messer, are at war. The latter also seduces the daughter of the shady "businessman". When he finds out that the two have secretly celebrated a wedding, he decides to get rid of his rival. He is aided in his endeavors by Jenny, a cunning whore who betrays her ex-lover to the police. Back to the original: First performed in 1928, the opera parody strings together one biting musical number after another in cabaret style and jazz rhythm, breaking the boundaries of the genre, which until then had been considered bourgeois. Because the "Threepenny Opera" by Bertolt Brecht and Kurt Weill is clearly political!

While Félix, 26, is celebrating his birthday at home with his family, he discovers a hateful comment on one of his videos. He concludes that it inevitably comes from someone in his family because the video is published privately and therefore only a member of his family had the possibility of viewing it.

The series follows Norman, Cyprien, and Natoo as they face the difficult transition into adulthood. A journey outside of their videos, paved with obstacles.